Renaissance Figures of SpeechSylvia Adamson, Gavin Alexander, Katrin Ettenhuber Cambridge University Press, 20 дек. 2007 г. The Renaissance saw a renewed and energetic engagement with classical rhetoric; recent years have seen a similar revival of interest in Renaissance rhetoric. As Renaissance critics recognised, figurative language is the key area of intersection between rhetoric and literature. This book is the first modern account of Renaissance rhetoric to focus solely on the figures of speech. It reflects a belief that the figures exemplify the larger concerns of rhetoric, and connect, directly or by analogy, to broader cultural and philosophical concerns within early modern society. Thirteen authoritative contributors have selected a rhetorical figure with a special currency in Renaissance writing and have used it as a key to one of the period's characteristic modes of perception, forms of argument, states of feeling or styles of reading. |
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Стр. 18
... find Troy's verbal variations either irritating or pathetic, irritating as a form of futile verbosity, pathetic as a symptom of encroaching senility. A similar character designed to evoke a similar mixed response in an early- modern ...
... find Troy's verbal variations either irritating or pathetic, irritating as a form of futile verbosity, pathetic as a symptom of encroaching senility. A similar character designed to evoke a similar mixed response in an early- modern ...
Стр. 20
... find Bateson endorsing Bacon's famous dismissal of the sixteenth century as a periodthatpreferred 'copie'to 'weight'and interpreting 'copie'asverbosity, facile fluency, diffuseness.11 These are the very qualities that Bateson and his ...
... find Bateson endorsing Bacon's famous dismissal of the sixteenth century as a periodthatpreferred 'copie'to 'weight'and interpreting 'copie'asverbosity, facile fluency, diffuseness.11 These are the very qualities that Bateson and his ...
Стр. 21
... find the 'inevitable phrase'. On closer inspection, then, Lewis's position is not so far from Bate- son's. He retains the Coleridgean value for the 'one predestined and elected phrase' and is unable to extend the organic reading of ...
... find the 'inevitable phrase'. On closer inspection, then, Lewis's position is not so far from Bate- son's. He retains the Coleridgean value for the 'one predestined and elected phrase' and is unable to extend the organic reading of ...
Стр. 22
... find it difficult to read synonymic styles as valuable; on the other hand, unlike some later commentators, they find no difficulty in reading them as synonymic. The more deeply embedded organicism becomes as a model of reading within ...
... find it difficult to read synonymic styles as valuable; on the other hand, unlike some later commentators, they find no difficulty in reading them as synonymic. The more deeply embedded organicism becomes as a model of reading within ...
Стр. 25
... find thatthe mostappropriateword will come readily to mind for any given context 'for there is no word that is not the best in some place'.29 At this point, Erasmus seems to come close to the modern ideal of selectivity outlined above ...
... find thatthe mostappropriateword will come readily to mind for any given context 'for there is no word that is not the best in some place'.29 At this point, Erasmus seems to come close to the modern ideal of selectivity outlined above ...
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Раздел 15 | 197 |
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Раздел 17 | 237 |
Раздел 9 | 97 |
Другие издания - Просмотреть все
Renaissance Figures of Speech Sylvia Adamson,Gavin Alexander,Katrin Ettenhuber Ограниченный просмотр - 2007 |
Renaissance Figures of Speech Sylvia Adamson,Gavin Alexander,Katrin Ettenhuber Недоступно для просмотра - 2011 |
Часто встречающиеся слова и выражения
amplification Andrewes antanaclasis argument Aristotle audience authority Bacon Britomart Brutus’s Caesar catachresis century chapter character Cicero classical clauses conflated copia defined definition describe difficulty doth early-modern ekphrasis Elizabethan elocutio English Erasmus Erasmus’s example fiction figuration figurative figure figure of speech final finally find first Garden of Eloquence Greek hath Henry Peacham hyperbaton hyperbole hyperbole’s hysteron proteron identified imagination influence influential John Jonson judgement language Latin linguistic literary Lucrece Macbeth meaning metalepsis metaphor metonymy mind modern moral orator paradiastole parallel parison paronomasia periodic sentence person philosophical phrase play poetic poets preposterous prose prosopopoeia puns Puttenham Quintilian reader reading reflect Renaissance Rhetorica ad Herennium rhetorical rhetorical figure rhetorical theory semantic sense Shakespeare Sidney Sidney’s significance sixteenth-century speaking specifically structure style syllepsis syncrisis synonymia synonyms syntactic testimony things thought tion treatise tropes turn verse vices Virgil virtue Vives voice words writing