Renaissance Figures of SpeechSylvia Adamson, Gavin Alexander, Katrin Ettenhuber Cambridge University Press, 20 дек. 2007 г. The Renaissance saw a renewed and energetic engagement with classical rhetoric; recent years have seen a similar revival of interest in Renaissance rhetoric. As Renaissance critics recognised, figurative language is the key area of intersection between rhetoric and literature. This book is the first modern account of Renaissance rhetoric to focus solely on the figures of speech. It reflects a belief that the figures exemplify the larger concerns of rhetoric, and connect, directly or by analogy, to broader cultural and philosophical concerns within early modern society. Thirteen authoritative contributors have selected a rhetorical figure with a special currency in Renaissance writing and have used it as a key to one of the period's characteristic modes of perception, forms of argument, states of feeling or styles of reading. |
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Стр. 17
... figure of reading as much as a figure of speech or thought. It occurs when a reader decides to interpret a sequence of words or phrases as a self-iteration. One of my aims in this chapter is to examine some of the factors affecting ...
... figure of reading as much as a figure of speech or thought. It occurs when a reader decides to interpret a sequence of words or phrases as a self-iteration. One of my aims in this chapter is to examine some of the factors affecting ...
Стр. 18
... figure that has come down in the world. Among the figures in this volume, it is arguably the one that has suffered ... figure of failure or a figure of fun. At one end of its modern spectrum is its 'realistic' use, illustrated below ...
... figure that has come down in the world. Among the figures in this volume, it is arguably the one that has suffered ... figure of failure or a figure of fun. At one end of its modern spectrum is its 'realistic' use, illustrated below ...
Стр. 19
... figure's expressive function. What makes the dead parrot sketch funny and George Troy pathetic is that both violate a norm by whichthose who consulta thesaurus(mental or physical) expect –and are expected – to extractthe single instance ...
... figure's expressive function. What makes the dead parrot sketch funny and George Troy pathetic is that both violate a norm by whichthose who consulta thesaurus(mental or physical) expect –and are expected – to extractthe single instance ...
Стр. 20
... figure in Renaissance writing. In the early Oxford school, for example, Bateson, attempting a stylistic history of English literature, recognised synonymia as the 'representative mode' that distinguished Elizabethan from Metaphysical ...
... figure in Renaissance writing. In the early Oxford school, for example, Bateson, attempting a stylistic history of English literature, recognised synonymia as the 'representative mode' that distinguished Elizabethan from Metaphysical ...
Стр. 27
... figures from the same piece of wax, and in the allusion to Proteus, the shape-shifter god.37 In both instances, though ... figure adorneth and garnisheth speech, as a rich and plentiful wardrop, whereinaremanyand sundrychangesofgarmentes ...
... figures from the same piece of wax, and in the allusion to Proteus, the shape-shifter god.37 In both instances, though ... figure adorneth and garnisheth speech, as a rich and plentiful wardrop, whereinaremanyand sundrychangesofgarmentes ...
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Раздел 14 | 181 |
Раздел 15 | 197 |
Раздел 16 | 217 |
Раздел 17 | 237 |
Раздел 9 | 97 |
Другие издания - Просмотреть все
Renaissance Figures of Speech Sylvia Adamson,Gavin Alexander,Katrin Ettenhuber Ограниченный просмотр - 2007 |
Renaissance Figures of Speech Sylvia Adamson,Gavin Alexander,Katrin Ettenhuber Недоступно для просмотра - 2011 |
Часто встречающиеся слова и выражения
amplification Andrewes antanaclasis argument Aristotle audience authority Bacon Britomart Brutus’s Caesar catachresis century chapter character Cicero classical clauses conflated copia defined definition describe difficulty doth early-modern ekphrasis Elizabethan elocutio English Erasmus Erasmus’s example fiction figuration figurative figure figure of speech final finally find first Garden of Eloquence Greek hath Henry Peacham hyperbaton hyperbole hyperbole’s hysteron proteron identified imagination influence influential John Jonson judgement language Latin linguistic literary Lucrece Macbeth meaning metalepsis metaphor metonymy mind modern moral orator paradiastole parallel parison paronomasia periodic sentence person philosophical phrase play poetic poets preposterous prose prosopopoeia puns Puttenham Quintilian reader reading reflect Renaissance Rhetorica ad Herennium rhetorical rhetorical figure rhetorical theory semantic sense Shakespeare Sidney Sidney’s significance sixteenth-century speaking specifically structure style syllepsis syncrisis synonymia synonyms syntactic testimony things thought tion treatise tropes turn verse vices Virgil virtue Vives voice words writing