Power, Plain English, and the Rise of Modern PoetryYale University Press, 1 окт. 2008 г. - Всего страниц: 224 DIVIn this engaging book David Rosen offers a radically new account of Modern poetry and revises our understanding of its relation to Romanticism. British poets from Wordsworth to Auden attempted to present themselves simultaneously as persons of power and as moral voices in their communities. The modern lyric derives its characteristic complexities—psychological, ethical, formal—from the extraordinary difficulty of this effort. The low register of our language—a register of short, concrete, native words arranged in simple syntax—is deeply implicated in this story. Rosen shows how the peculiar reputation of “plain English” for truthfulness is employed by Modern poets to conceal the rift between their (probably irreconcilable) ambitions for themselves. With a deep appreciation for poetic accomplishment and a wonderful iconoclasm, Rosen sheds new light on the innovative as well as the self-deceptive aspects of Modern poetry. This book alters our understanding of the history of poetry in the English language./div |
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... understanding of the project as it developed . For help in the task of turning the manuscript into a book , Aaron Santesso has my deepest gratitude : both for seeing the outlines of a book where I wasn't always able to , and for arguing ...
... understanding of the project as it developed . For help in the task of turning the manuscript into a book , Aaron Santesso has my deepest gratitude : both for seeing the outlines of a book where I wasn't always able to , and for arguing ...
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... mur- dered by its own past strength.”13 Of most consequence to my argument, these accounts of Modernism rely on an understanding of the Romantic period itself, and of Wordsworth specifically , that I believe to be Introduction 6.
... mur- dered by its own past strength.”13 Of most consequence to my argument, these accounts of Modernism rely on an understanding of the Romantic period itself, and of Wordsworth specifically , that I believe to be Introduction 6.
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... understanding of Romanticism ( which I will expand on shortly ) is visible also in the second school of critics , those whose only response to the last stanza of “ Coole and Ballylee " might be to add some exclamation points for ...
... understanding of Romanticism ( which I will expand on shortly ) is visible also in the second school of critics , those whose only response to the last stanza of “ Coole and Ballylee " might be to add some exclamation points for ...
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... understanding of poetic psychology, his new way of claim- ing authority as a poet, produced equally innovative ideas about style and sub- ject matter. It is only to be expected, furthermore, that the poets immediately following him ...
... understanding of poetic psychology, his new way of claim- ing authority as a poet, produced equally innovative ideas about style and sub- ject matter. It is only to be expected, furthermore, that the poets immediately following him ...
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... understanding the change it- self — while , indeed , adhering to notions of poetic selfhood that the revolu- tionary poet , in effect , supplanted . It is perfectly common for artifacts from an earlier dispensation to persist in lively ...
... understanding the change it- self — while , indeed , adhering to notions of poetic selfhood that the revolu- tionary poet , in effect , supplanted . It is perfectly common for artifacts from an earlier dispensation to persist in lively ...
Содержание
1 | |
15 | |
33 | |
Certain Good W B Yeats and the Language of Autobiography | 73 |
The Lost Youth of Modern Poetry T S Eliot W H Auden | 123 |
Notes | 181 |
Index | 201 |
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argument autobiography beauty Beggar begins Book Cambridge career century chapter claims Cold Heaven Coleridge crisis critics culture decade diction early Essays experience feelings finally Freud Green Helmet Harold Bloom human identity idiom imagination Jarrell John John Keats Juvenilia XVIa Katherine Bucknell Keats kind landscape language late later Latinate lines Locke Locke's low register lyric M. H. Abrams mature Maud Gonne meaning memory metaphor mind modern poetry Modernist myth nature object Orwell passage perhaps period philosophical plain English poem poet poet’s poetic political Prelude prose psychology Randall Jarrell reality recognize rhetoric Romantic Romanticism seems sense Shelley simple ideas social speaker stanza style suggest T. S. Eliot theory things thought Tintern Abbey tion tradition truth turn understanding University Press verse verse paragraph vision visionary voice W. B. Yeats W. H. Auden Watershed William Wordsworth words Wordsworthian writing Yeats's York