Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 28Gale Research Company, 1984 |
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Стр. 87
... woman s / he enacts is never to be only a woman , while to the extent that she becomes fully a woman in the conclusion , her erotic performance cannot be seen as successfully apotropaic . As You Like It can perhaps be distinguished in ...
... woman s / he enacts is never to be only a woman , while to the extent that she becomes fully a woman in the conclusion , her erotic performance cannot be seen as successfully apotropaic . As You Like It can perhaps be distinguished in ...
Стр. 89
... woman cannot use language performatively without being at least partly a man . The only form in which a woman as woman can " give " herself is in a bequest , when she has , as it were , died as a woman and taken on a male tongue . Oth ...
... woman cannot use language performatively without being at least partly a man . The only form in which a woman as woman can " give " herself is in a bequest , when she has , as it were , died as a woman and taken on a male tongue . Oth ...
Стр. 314
... woman , yet is she her own creatress , as a picture . Indeed a plain woman is but half a painted woman , who is both a substantive and an adjective , and yet not of the neuter gender : but a feminine as well consorting with a masculine ...
... woman , yet is she her own creatress , as a picture . Indeed a plain woman is but half a painted woman , who is both a substantive and an adjective , and yet not of the neuter gender : but a feminine as well consorting with a masculine ...
Содержание
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York