Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 28Gale Research Company, 1984 |
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Стр. 121
... monarch , but a queen - then Henry V's association between theatrical enterprise and the enterpris- es of a dauntingly masculine monarch grants theater not the power of subversion , but rather the power of patriar- chy , which is ...
... monarch , but a queen - then Henry V's association between theatrical enterprise and the enterpris- es of a dauntingly masculine monarch grants theater not the power of subversion , but rather the power of patriar- chy , which is ...
Стр. 196
... monarch and official do not speak as they might . In fact , the intimate yet disinterested quality of their exchange ... monarchs , old laws , ancient languages , recondite terms , and antique portraits , manag- es to bracket , contain ...
... monarch and official do not speak as they might . In fact , the intimate yet disinterested quality of their exchange ... monarchs , old laws , ancient languages , recondite terms , and antique portraits , manag- es to bracket , contain ...
Стр. 314
... monarch with the ageless aura of the body politic , which , as Marie Axton notes , " was supposed to be con- tained within the natural body of the Queen . " 30 Eliza- beth's attempt to reinvest her final years with the erotic dynamics ...
... monarch with the ageless aura of the body politic , which , as Marie Axton notes , " was supposed to be con- tained within the natural body of the Queen . " 30 Eliza- beth's attempt to reinvest her final years with the erotic dynamics ...
Содержание
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York