Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 28Gale Research Company, 1984 |
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Стр. 143
... kingship and kings , of royal pretensions and roy- al ambitions not a particularly hostile view nor a tragic one , but a realistic one that recognizes that kingship has little to do with divinity : the king is but a man after all . Kingship ...
... kingship and kings , of royal pretensions and roy- al ambitions not a particularly hostile view nor a tragic one , but a realistic one that recognizes that kingship has little to do with divinity : the king is but a man after all . Kingship ...
Стр. 145
... kingship according to Geraldo U. de Sousa , " Semiotics of Kingship in Richard II , " in Shakespeare and Decon- struction , ed . G. Douglas Atkins and David Bergeron ( New York , 1988 ) , p . 187 ; R. A. Martin , " Metatheater , Gender ...
... kingship according to Geraldo U. de Sousa , " Semiotics of Kingship in Richard II , " in Shakespeare and Decon- struction , ed . G. Douglas Atkins and David Bergeron ( New York , 1988 ) , p . 187 ; R. A. Martin , " Metatheater , Gender ...
Стр. 180
... kingship , their significance in creating and sustaining the myth of divine right . He recalls a story that after his coronation the historical Richard discovered that through some over- sight the holy oil with which he had been ...
... kingship , their significance in creating and sustaining the myth of divine right . He recalls a story that after his coronation the historical Richard discovered that through some over- sight the holy oil with which he had been ...
Содержание
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York