Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 28Gale Research Company, 1984 |
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Стр. 378
... Cymbeline contains the trag- edy of Cephalus and Procris . We might reexamine here the relationship between Cym- beline and one of Shakespeare's own tragedies , Othello . The parallel plots and analogous characters ( lago and Iachimo ...
... Cymbeline contains the trag- edy of Cephalus and Procris . We might reexamine here the relationship between Cym- beline and one of Shakespeare's own tragedies , Othello . The parallel plots and analogous characters ( lago and Iachimo ...
Стр. 401
... Cymbeline , therefore , coming upon the heels of Pericles , is thematically introduced and prefigured as a juxtaposi- tion to tragedy . " It is . . . as if something had been given up and re- signed , " 30 observed B. Ivor Evans of the ...
... Cymbeline , therefore , coming upon the heels of Pericles , is thematically introduced and prefigured as a juxtaposi- tion to tragedy . " It is . . . as if something had been given up and re- signed , " 30 observed B. Ivor Evans of the ...
Стр. 403
... Cymbeline's first appearance in the play is accompanied by a frightful order to Posthumus to leave and to return only if he is ready to die ( I.i.125-27 ) ; Leonatus breaks the command and returns to Cymbeline , but he does this in ...
... Cymbeline's first appearance in the play is accompanied by a frightful order to Posthumus to leave and to return only if he is ready to die ( I.i.125-27 ) ; Leonatus breaks the command and returns to Cymbeline , but he does this in ...
Содержание
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York