The Modernist Shakespeare: Critical Texts in a Material WorldClarendon Press, 1991 - Всего страниц: 262 Every epoch recreates its classical icons--and for literary culture no icon is more central or more protean than Shakespeare. Even though finding the authentic Shakespeare has been a goal of scholarship since the eighteenth century, he has always been constructed as a contemporary author. In this critical study, Grady charts the construction of Shakespeare as a twentieth-century text, redirecting "new historicist" methods to an investigation of the social roots of contemporary Shakespeare criticism. Beginning with the formation of professionalism as an ideology in the Victorian Age, this theoretically-informed study describes widespread attempts to save the values of the cultural tradition, in reformulated Modernist guise, from the threat of professionalist postivism in modern universities. |
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Стр. 127
... Brooks was anxious to set the record straight : ' I began by suggesting that our reading of Donne might contribute something to our reading of Shakespeare , though I tried to make plain the fact that I had no design of trying to turn ...
... Brooks was anxious to set the record straight : ' I began by suggesting that our reading of Donne might contribute something to our reading of Shakespeare , though I tried to make plain the fact that I had no design of trying to turn ...
Стр. 128
... Brooks is in this essay to Knight's spatial hermeneutics , there are tell - tale differences of emphasis . Brooks is much more inter- ested than Knight was in irony and in how the unity of the Shakespearian metaphors he studies is ...
... Brooks is in this essay to Knight's spatial hermeneutics , there are tell - tale differences of emphasis . Brooks is much more inter- ested than Knight was in irony and in how the unity of the Shakespearian metaphors he studies is ...
Стр. 153
... Brooks , particularly , seem coloured by a sectarian insistence on the letter of Leavisite literary history ( Brooks is faulted for not under- standing , as Leavis had claimed , that Pope should be seen as in the Metaphysical ' line ...
... Brooks , particularly , seem coloured by a sectarian insistence on the letter of Leavisite literary history ( Brooks is faulted for not under- standing , as Leavis had claimed , that Pope should be seen as in the Metaphysical ' line ...
Содержание
Introduction I | 1 |
Critical Convergence | 14 |
The Rise of Professionalism | 28 |
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The Modernist Shakespeare: Critical Texts in a Material World Hugh Grady Недоступно для просмотра - 1994 |
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academic aesthetic American analysis apparent approach argued attempt become beginning British Brooks called Cambridge central century changes chapter claim clear clearly complex concept constituted contemporary context continuity course criticism critique culture deconstruction defined developed discourse discussion disintegration early effect Eliot Elizabethan English English studies essay example fact Falstaff feminist Henry human idea ideology important influence institutions interest interpretation kind Knight late less literary literature London major Marxism material meaning method Modernism Modernist nature noted notion organic original paradigm particular perhaps period play poetry political position Postmodern practice present problem produced professional question reading reason recent relation Renaissance Review seems seen sense Shakespeare studies Shakespearian shift social society spatial structure suggested themes theoretical theory Tillyard Timon tion tradition turn unity University Press values Wilson writing York