Genre and Ethics: The Education of an Eighteenth-century CriticUniversity of Delaware Press, 2002 - Всего страниц: 284 "The study addresses the following kinds of questions: Why does genre need ethics? Why does ethics need genre? How is ethics related to and distinguished from ideology as currently used in cultural studies? How does a generic ethical method come to terms with history and historical change? How is a generic ethical method related to religion? Does genre reinforce the concept of the ethical agent? This book will therefore have a broad audience, including scholars whose fields range from the Renaissance to the present, theorists and philosophers whose interests include ethics, cultural studies, and ideologies, and educationists pursuing methods for graduates and undergraduates. The autobiographical introduction serves as the "hook," as our creative writers say, for this audience. Generically, it is experimental, being at once scholarly, pedagogical, and autobiographical."--BOOK JACKET. |
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Стр. 19
... moral judgments . Most ethical philosophers make this distinction . George B. Wall , in Introduction to Ethics , ex- plains : " A cool discussion of moral differences is a most unlikely occurrence - which tells us something about morals ...
... moral judgments . Most ethical philosophers make this distinction . George B. Wall , in Introduction to Ethics , ex- plains : " A cool discussion of moral differences is a most unlikely occurrence - which tells us something about morals ...
Стр. 20
... moral precepts concerning adultery and parenthood , but a means toward creating a new family based upon the same moral views for the new family that were violated for the previous family . The justification for a fam- ily formed after a ...
... moral precepts concerning adultery and parenthood , but a means toward creating a new family based upon the same moral views for the new family that were violated for the previous family . The justification for a fam- ily formed after a ...
Стр. 138
... moral sense of beauty began , not in aesthetics , but in the far broader field of moral philosophy . My own attempt to find a less absolutized morality and a less intuitive sense of beauty focuses upon art and literature not to ...
... moral sense of beauty began , not in aesthetics , but in the far broader field of moral philosophy . My own attempt to find a less absolutized morality and a less intuitive sense of beauty focuses upon art and literature not to ...
Содержание
Preface | 9 |
How Genre Criticism Leads to Ethics | 49 |
Textual Ideology in Aphra Behns Oroonoko | 70 |
Авторские права | |
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Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Ограниченный просмотр - 2002 |
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Adonais alternative aristocratic artistic assertion attempt Auden Bandele beauty Beaux Behn believe Belle's Stratagem biography Brendry Burney chapter character classroom Cohen conception concern conclusion conventions critical culture death demonstrate Doricourt double mistress drama Dryden eighteenth century element ethical end Evelina explain extraliterary Farquhar Flecknoe genre analysis genre and ethics goal Guido Hannah Cowley Hogarth ideology Indamora individual interpretation involves Jaques Johnson Letitia Lindamira literary literature loco-descriptive love novel Lycidas MacFlecknoe marriage Martin metacritical Mode moral narrative Norton editors novel Oroonoko Oroonoko and Imoinda Orville Oxford pastoral elegy period plate play poem poet poetry political postmodern problem question Ralph Cohen Rawsley relationship responsibility Restoration comedy Richard Savage romance Rosalind Samuel Johnson satire Savage's scene Scriblerians seen sense Shadwell Shadwell's slaves story suggests teleology tradition tragedy Trefry understand University Press W. B. Yeats William Hogarth writing Yeats