Othello: Critical EssaysPhilip Kolin Routledge, 11 янв. 2013 г. - Всего страниц: 472 Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello:Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
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Стр. 3
... tragic play.” (quoted in Habicht, 5) Sixteen years later, when the great French tragedian Francois-Joseph Talma murdered Desdemona in Jean-Francois Ducis's adaptation (l 792), the audience sent up: . . . a universal tumult. Tears ...
... tragic play.” (quoted in Habicht, 5) Sixteen years later, when the great French tragedian Francois-Joseph Talma murdered Desdemona in Jean-Francois Ducis's adaptation (l 792), the audience sent up: . . . a universal tumult. Tears ...
Стр. 10
... tragic Moor. An unheroic, unflattering Moor replaced Bradley's romantic icon for critics. In the 1920s and 1930s, Othello succumbed as the hostile foe of critics such as T. S. Eliot and F. R. Leavis. In “Shakespeare and the Stoicism of ...
... tragic Moor. An unheroic, unflattering Moor replaced Bradley's romantic icon for critics. In the 1920s and 1930s, Othello succumbed as the hostile foe of critics such as T. S. Eliot and F. R. Leavis. In “Shakespeare and the Stoicism of ...
Стр. 11
... tragic hero” (122). Kent Cartwright, however, studies Othello in “his double role as both Bradleyan victim and Leavisian victimizer” (“Audience Response and the Denouement of Othello,” 167). A post-structural critic, Christopher Norris ...
... tragic hero” (122). Kent Cartwright, however, studies Othello in “his double role as both Bradleyan victim and Leavisian victimizer” (“Audience Response and the Denouement of Othello,” 167). A post-structural critic, Christopher Norris ...
Стр. 14
... tragic hero. Yet race undeniably has been a pulsating dynamic in the script and in theatre economies. Othello's roles as Other/ Outsider, warrior, and victim are inextricably tied to his racial ancestry and diverse representations of it ...
... tragic hero. Yet race undeniably has been a pulsating dynamic in the script and in theatre economies. Othello's roles as Other/ Outsider, warrior, and victim are inextricably tied to his racial ancestry and diverse representations of it ...
Стр. 20
... tragic loading of her bed. She has been maligned by critics who search for her culpability to the end. Not all readers are content to see her as a patient Griselda, as David Farley-Hill did. Julian C. Rice, for instance, issues this ...
... tragic loading of her bed. She has been maligned by critics who search for her culpability to the end. Not all readers are content to see her as a patient Griselda, as David Farley-Hill did. Julian C. Rice, for instance, issues this ...
Содержание
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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