Coleridge and Textual Instability: The Multiple Versions of the Major PoemsOxford University Press, 12 мая 1994 г. - Всего страниц: 272 Jack Stillinger establishes and documents the existence of numerous different authoritative versions of Coleridge's best-known poems: sixteen or more of The Eolian Harp, for example, eighteen of The Rime of the Ancient Mariner, and comparable numbers for This Lime-Tree Bower, Frost at Midnight, Kubla Khan, Christabel, and Dejection: An Ode. Such multiplicity of versions raises interesting theoretical and practical questions about the constitution of the Coleridge canon, the ontological identity of any specific work in the canon, the editorial treatment of Coleridge's works, and the ways in which multiple versions complicate interpretation of the poems as a unified (or, as the case may be, disunified) body of work. Providing much new information about the texts and production of Coleridge's major poems, Stillinger's study offers intriguing new theories about the nature of authorship and the constitution of literary works. |
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... readings ? ) ; practical questions about the editorial treat- ment of Coleridge's works ( most obviously , which version to choose for reprinting — say , in a standard edition or in an anthology -- when we are allowed only one version ...
... readings ? ) ; practical questions about the editorial treat- ment of Coleridge's works ( most obviously , which version to choose for reprinting — say , in a standard edition or in an anthology -- when we are allowed only one version ...
Стр. vi
... reading texts and apparatuses being pre- pared for the Bollingen Foundation Collected Works by J. C. C. Mays , will perhaps be published before this study appears . Mays's edition will certainly have information about hitherto unknown ...
... reading texts and apparatuses being pre- pared for the Bollingen Foundation Collected Works by J. C. C. Mays , will perhaps be published before this study appears . Mays's edition will certainly have information about hitherto unknown ...
Стр. 4
... reading ( and instructors teaching ) and what the professional Coleridgeans are studying and writing about . The latter work is carried on at a high level of abstrac- tion ( which is reasonable enough in these days of heavy theorizing ) ...
... reading ( and instructors teaching ) and what the professional Coleridgeans are studying and writing about . The latter work is carried on at a high level of abstrac- tion ( which is reasonable enough in these days of heavy theorizing ) ...
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Содержание
3 | |
2 The Multiple Versions | 26 |
3 Coleridge as Reviser | 100 |
4 A Practical Theory of Versions | 118 |
Notes | 237 |
251 | |
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Coleridge and Textual Instability: The Multiple Versions of the Major Poems Jack Stillinger Ограниченный просмотр - 1994 |
Часто встречающиеся слова и выражения
Ancient Mariner annotated copies Annual Anthology authorial intention beginning Biographia Literaria Blank Verse breeze canceled Charles Lamb Christabel Cole Coleridge's Coleridge's poems copies of 1817 corrected Cottle Dejection deleted Dorothy Wordsworth Dove Cottage draft earlier edition Eolian Harp errata essay extant eyes final text Frost at Midnight Geraldine Grasmere Harvard holograph interlined interpretation Keats Keats's Kubla Khan lady Lamb later letter Lime-Tree Bower lines literary Lyrical Ballads major poems manuscript Mariner's mind multiple versions paragraph division passage poet Poetical poetry printed text printer proofs prose published readers readings revisions S. T. Coleridge Samuel Taylor Coleridge Sara separate versions Shillingsburg ship Sibylline Leaves Sir Leoline soul Southey speaker spirit stanza substantive sweet Textual Criticism thee theory things thou Tintern Abbey transcript unique unity University Press variants verse Version 9 volume William Wordsworth words Wordsworth written wrote
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The Constructivist Moment: From Material Text to Cultural Poetics Barrett Watten Недоступно для просмотра - 2003 |