Coleridge and Textual Instability: The Multiple Versions of the Major PoemsOxford University Press, 12 мая 1994 г. - Всего страниц: 272 Jack Stillinger establishes and documents the existence of numerous different authoritative versions of Coleridge's best-known poems: sixteen or more of The Eolian Harp, for example, eighteen of The Rime of the Ancient Mariner, and comparable numbers for This Lime-Tree Bower, Frost at Midnight, Kubla Khan, Christabel, and Dejection: An Ode. Such multiplicity of versions raises interesting theoretical and practical questions about the constitution of the Coleridge canon, the ontological identity of any specific work in the canon, the editorial treatment of Coleridge's works, and the ways in which multiple versions complicate interpretation of the poems as a unified (or, as the case may be, disunified) body of work. Providing much new information about the texts and production of Coleridge's major poems, Stillinger's study offers intriguing new theories about the nature of authorship and the constitution of literary works. |
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Стр. v
... poetic texts ; and textual theorists , for whom I hope it will contribute to the ongoing discussion of the basic nature ( constitution , ontology ) of texts and literary works . For the first of these specialist audiences , the book ...
... poetic texts ; and textual theorists , for whom I hope it will contribute to the ongoing discussion of the basic nature ( constitution , ontology ) of texts and literary works . For the first of these specialist audiences , the book ...
Стр. vi
... poetic genius . Textual stability ( implied by my " textual instability " ) , one of the most deeply rooted premises of editing and literary criticism of the past half - century , is , in the simplest terms , the idea that for each work ...
... poetic genius . Textual stability ( implied by my " textual instability " ) , one of the most deeply rooted premises of editing and literary criticism of the past half - century , is , in the simplest terms , the idea that for each work ...
Стр. vii
... poetic canon . The seven that I investigate in detail are interestingly diverse in their textual history - two of them appeared in early volumes by Coleridge , one in a giftbook annual , one ( anony- mously ) in a book mainly authored ...
... poetic canon . The seven that I investigate in detail are interestingly diverse in their textual history - two of them appeared in early volumes by Coleridge , one in a giftbook annual , one ( anony- mously ) in a book mainly authored ...
Стр. ix
... Poetic Texts , 3 2. The Multiple Versions , 26 The Eolian Harp , 27 This Lime - Tree Bower My Prison , 43 Frost at Midnight , 52 The Rime of the Ancient Mariner , 60 Kubla Khan , 73 Christabel , 79 Dejection : An Ode , 91 3. Coleridge ...
... Poetic Texts , 3 2. The Multiple Versions , 26 The Eolian Harp , 27 This Lime - Tree Bower My Prison , 43 Frost at Midnight , 52 The Rime of the Ancient Mariner , 60 Kubla Khan , 73 Christabel , 79 Dejection : An Ode , 91 3. Coleridge ...
Стр. 2
The Multiple Versions of the Major Poems Jack Stillinger. This page intentionally left blank 1 Introduction : The Current State of Coleridge's Poetic Texts.
The Multiple Versions of the Major Poems Jack Stillinger. This page intentionally left blank 1 Introduction : The Current State of Coleridge's Poetic Texts.
Содержание
3 | |
2 The Multiple Versions | 26 |
3 Coleridge as Reviser | 100 |
4 A Practical Theory of Versions | 118 |
Notes | 237 |
Index | 251 |
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Coleridge and Textual Instability: The Multiple Versions of the Major Poems Jack Stillinger Ограниченный просмотр - 1994 |
Часто встречающиеся слова и выражения
Ancient Mariner annotated copies Annual Anthology authorial intention beginning Biographia Literaria Blank Verse breeze canceled Charles Lamb Christabel Cole Coleridge's Coleridge's poems copies of 1817 corrected Cottle Dejection deleted Dorothy Wordsworth Dove Cottage draft earlier edition Eolian Harp errata essay extant eyes final text Frost at Midnight Geraldine Grasmere Harvard holograph interlined interpretation Keats Keats's Kubla Khan lady Lamb later letter Lime-Tree Bower lines literary Lyrical Ballads major poems manuscript Mariner's mind multiple versions paragraph division passage poet Poetical poetry printed text printer proofs prose published readers readings revisions S. T. Coleridge Samuel Taylor Coleridge Sara separate versions Shillingsburg ship Sibylline Leaves Sir Leoline soul Southey speaker spirit stanza substantive sweet Textual Criticism thee theory things thou Tintern Abbey transcript unique unity University Press variants verse Version 9 volume William Wordsworth words Wordsworth written wrote
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Стр. 185 - The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not have composed less than from two to three hundred lines...
Стр. 170 - The many men, so beautiful! And they all dead did lie: And a thousand thousand slimy things Lived on ; and so did I.
Стр. 185 - On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper, instantly and eagerly wrote down the lines that are here preserved. At this moment he was unfortunately called out by a person on business from Porlock...
Стр. 181 - I saw a third — I heard his voice: It is the Hermit good! He singeth loud his godly hymns That he makes in the wood. He'll shrieve my soul, he'll wash away The Albatross's blood.
Стр. 162 - And I had done a hellish thing. And it would work 'em woe: For all averred. I had killed the bird That made the breeze to blow.
Стр. 171 - I closed my lids, and kept them close, And the balls like pulses beat; For the sky and the sea, and the sea and the sky. Lay like a load on my weary eye, And the dead were at my feet.
Стр. 187 - But oh ! that deep romantic chasm which slanted Down the green hill athwart a cedarn cover ! A savage place ! as holy and enchanted As e'er beneath a waning moon was haunted By woman wailing for her demon-lover...
Стр. 162 - It perched for vespers nine ; Whiles all the night, through fog-smoke white, Glimmered the white Moon-shine." " God save thee, ancient Mariner ! From the fiends, that plague thee thus ! — Why look'st thou so ? " — " With my cross-bow I shot the ALBATROSS.
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The Constructivist Moment: From Material Text to Cultural Poetics Barrett Watten Недоступно для просмотра - 2003 |