Understanding and Crafting the Mix: The Art of RecordingTaylor & Francis, 2007 - Всего страниц: 396 Understanding and Crafting the Mix gives you clear and systematic methods for identifying, evaluating, and shaping the artistic elements in music and audio recording. The exercises throughout help you to develop critical listening and evaluating skills and gain greater control over the quality of your recordings. William Moylan takes an inside look into a range of popular music, including recordings by The Beatles, offering you insights into making meaningful sound judgements during recording. Sample production sequences and descriptions of the recordist's roles as composer, conductor and performer provides you with a clear view of the entire recording process. The foreword has graciously been provided by industry legend Rupert Neve. The book also includes an audio CD featuring exercises, reference materials, examples of mixes and sound qualities, and tracks and instructions for setting up and evaluating playback systems. |
Содержание
Developing Listening and Sound Evaluation Skills | 83 |
Shaping Music and Sound and Controlling the Recording Process | 253 |
CD Contents and Track Descriptions | 359 |
Glossary | 369 |
| 380 | |
Discography | 387 |
| 389 | |
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Understanding and Crafting the Mix: The Art of Recording Moylan William Недоступно для просмотра - 2007 |
Часто встречающиеся слова и выражения
accurately acoustic activity aesthetic altered amplitude analytical listening artistic elements audio professional Beatles changes components concepts create critical listening defined delay Track direct sound distance location dynamic envelope elements of sound EMI Records Ltd environmental characteristics evaluating sound Exercise Figure focus fundamental frequency graph guitar harmonic harmonic series hearing host environment identify individual sound sources instruments level of perspective listener’s listening experience loudness level loudspeakers melodic microphone multitrack multitrack recorder music recording musical balance musical ideas musical materials musical texture overall texture perceived parameters perceived performance environment perception performance intensity piece of music pitch area pitch density pitch levels placement plotted present reader recognize recording process recordist reference dynamic level reflections relationships shape song sound quality evaluation sound stage source’s space spatial specific spectral content spectral envelope spectrum stereo location surround sound techniques timbral balance timbral detail timbre tion tracks unique
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Sound FX: Unlocking the Creative Potential of Recording Studio Effects Alexander U. Case Ограниченный просмотр - 2007 |