The Opera Lover's CompanionYale University Press, 1 янв. 2004 г. - Всего страниц: 627 This engaging guide to the 175 most popular operas will enhance the experience of every opera lover. Written by a well-known authority, the book consists of entries that set each opera within the context of its composer’s career, outline the plot, discuss the music, and give relevant background information on the libretto, the staging, and the most famous and influential interpreters of the principal roles. In addition, the entries recount details of the first performance and subsequent performance history and provide guidance on the relative quality of available recordings. Aimed at opera lovers and committed newcomers rather than specialists, The Opera-Lover’s Companion does not set out to cover every opera but only those most frequently encountered in opera houses or on recordings. Although the book is dominated by the five great opera composers—Mozart, Verdi, Wagner, Puccini, and Strauss—fifty-eight other composers are also represented. It is always more pleasurable to go to the opera with a knowledgeable and experienced companion. If you can’t, you’ll want to take this book. |
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Стр. 6
... beautiful women , Bluebeard's former wives , step forth . Bluebeard addresses them as his loves of the morning , noon and evening of his life , and assures Judith that she , the most beautiful of them all , is his last love , the love ...
... beautiful women , Bluebeard's former wives , step forth . Bluebeard addresses them as his loves of the morning , noon and evening of his life , and assures Judith that she , the most beautiful of them all , is his last love , the love ...
Стр. 8
... beautiful. Rocco reluctantly agrees but, when the prisoners emerge into the sunlight ('O welche Lust'), Leonore is disappointed not to find Florestan among them. Rocco promises to allow Fidelio to help him dig the grave of the ...
... beautiful. Rocco reluctantly agrees but, when the prisoners emerge into the sunlight ('O welche Lust'), Leonore is disappointed not to find Florestan among them. Rocco promises to allow Fidelio to help him dig the grave of the ...
Стр. 22
... beautiful and heavenly . Throughout the opera , the confidence , variety and sheer beauty of Bellini's melody are amazing . Norma's aria ' Casta diva ' , the wonderfully flowing vocal line of which has been likened to a Chopin nocturne ...
... beautiful and heavenly . Throughout the opera , the confidence , variety and sheer beauty of Bellini's melody are amazing . Norma's aria ' Casta diva ' , the wonderfully flowing vocal line of which has been likened to a Chopin nocturne ...
Стр. 26
... beautiful and most characteristic music. The soprano and tenor roles of Elvira and Arturo abound in soulful and affecting melodies. Elvira's 'mad scene' consists of the elegantly melancholy 'Qui la voce sua soave', one of the most beautiful ...
... beautiful and most characteristic music. The soprano and tenor roles of Elvira and Arturo abound in soulful and affecting melodies. Elvira's 'mad scene' consists of the elegantly melancholy 'Qui la voce sua soave', one of the most beautiful ...
Стр. 32
... beautiful , sensuous creature who drifts from promiscuity to prostitution . Fashioning a libretto from both plays , Berg began work on the opera that was to occupy him for several years and that was still not complete when he died on ...
... beautiful , sensuous creature who drifts from promiscuity to prostitution . Fashioning a libretto from both plays , Berg began work on the opera that was to occupy him for several years and that was still not complete when he died on ...
Содержание
JULES MASSENET | 209 |
GIAN CARLO MENOTTI | 225 |
GIACOMO MEYERBEER | 228 |
CLAUDIO MONTEVERDI | 237 |
DOUGLAS S MOORE | 248 |
WOLFGANG AMADEUS MOZART | 250 |
MODEST MUSSORGSKY | 292 |
JACQUES OFFENBACH | 300 |
53 | |
56 | |
82 | |
85 | |
86 | |
88 | |
90 | |
92 | |
93 | |
97 | |
101 | |
ANTONIN DVOR ÁK | 122 |
FRIEDRICH VON FLOTOW | 125 |
JOHN GAY | 129 |
GEORGE GERSHWIN | 132 |
UMBERTO GIORDANO | 136 |
MIKHAIL GLINKA | 143 |
CHRISTOPH WILLIBALD GLUCK | 147 |
CHARLES FRANÇOIS GOUNOD | 156 |
FROMENTAL HALÉVY | 163 |
GEORGE FRIDERIC HANDEL | 165 |
HANS WERNER HENZE | 177 |
PAUL HINDEMITH | 179 |
ENGELBERT HUMPERDINCK | 182 |
LEOS JANÁC EK | 186 |
RUGGERO LEONCAVALLO | 202 |
PIETRO MASCAGNI | 205 |
HANS PFITZNER | 304 |
AMILCARE PONCHIELLI | 306 |
FRANCIS POULENC | 310 |
SERGEI PROKOFIEV | 313 |
GIACOMO PUCCINI | 322 |
HENRY PURCELL | 352 |
MAURICE RAVEL | 355 |
NIKOLAI RIMSKYKORSAKOV | 360 |
GIOACHINO ROSSINI | 363 |
CAMILLE SAINTSAËNS | 397 |
ARNOLD SCHOENBERG | 399 |
DMITRI SHOSTAKOVICH | 402 |
BEDR ICH SMETANA | 405 |
JOHANN STRAUSS II | 410 |
RICHARD STRAUSS | 416 |
IGOR STRAVINSKY | 450 |
KAROL SZYMANOWSKI | 456 |
PETER ILITSCH TCHAIKOVSKY | 457 |
MICHAEL TIPPETT | 464 |
GIUSEPPE VERDI | 469 |
RICHARD WAGNER | 543 |
CARL MARIA VON WEBER | 594 |
KURT WEILL | 600 |
BERND ALOIS ZIMMERMANN | 605 |
Index of Titles | 609 |
General Index | 612 |
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Часто встречающиеся слова и выражения
acts approximate length announces aria arrives asks attempts baritone bass LIBRETTO beautiful Brünnhilde Carlo Carmen castle century Chorus and Orchestra composer composer’s conducted contralto Count Countess dance death dramatic duet Elvira enters Eugène Scribe father Faust Figaro French garden Giovanni Grieux heard Idomeneo Iphigénie Italian Jenůfa Joan Sutherland José killed King La Scala Lakmé later leave Lescaut librettist libretto lover Lucia Macbeth Manon Maria marriage marry mezzo-soprano Milan minutes mother Mozart Nabucco Nicolai Gedda night Opera Chorus Opera House opera in three Opéra-Comique Otello palace Paris Opéra performed play popular Prince prison Prologue Puccini Queen Recommended recording Riccardo Rigoletto role Rome Rossini Royal Opera House rushes Scala scene score Siegfried singers sings sister song soprano staged Strauss Tannhäuser Teatro tells tenor tenor LIBRETTO theatre three acts approximate Venice Verdi Vienna village voice Wagner Werther wife woman Wozzeck wrote young