Othello: New Essays by Black WritersMythili Kaul Howard University Press, 1997 - Всего страниц: 223 The theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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... accepted by the audience . The audience's acceptance of the black character cannot , however , be interpreted as sympathy or friendliness . Racial consciousness or racial prejudice existed in the sixteenth and seventeenth centuries in ...
... accepted by the audience . The audience's acceptance of the black character cannot , however , be interpreted as sympathy or friendliness . Racial consciousness or racial prejudice existed in the sixteenth and seventeenth centuries in ...
Стр. 67
... accepted reading of the scene . But which is the causal fact beneath his wish to kill her ? Is it because through Desdemona the handkerchief has been debased , and through that de- basement Othello's own spirit ; or is it only that her ...
... accepted reading of the scene . But which is the causal fact beneath his wish to kill her ? Is it because through Desdemona the handkerchief has been debased , and through that de- basement Othello's own spirit ; or is it only that her ...
Стр. 152
... accepted Rymer's essential objections , although admittedly Coleridge saw literary qualities that might redeem the play if the negroid charac- teristics of Othello could be toned down . He suggested , therefore , that in order to make ...
... accepted Rymer's essential objections , although admittedly Coleridge saw literary qualities that might redeem the play if the negroid charac- teristics of Othello could be toned down . He suggested , therefore , that in order to make ...
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Black or Tawny? Stage Representations | 1 |
Or Ego in Love Sex and | 23 |
Would Direct Othello | 29 |
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