Italian Studies in Shakespeare and His ContemporariesMichele Marrapodi, Giorgio Melchiori University of Delaware Press, 1999 - Всего страниц: 299 These essays present some significant Italian contributions to Shakespeare studies. Expressly translated and revised for this occasion, they are representative of approaches to Shakespeare and his contemporaries in Italy and they convey a sense of the vitality and extreme variety of critical and scholarly attitudes in this field. A historical introduction by Michele Marrapodi with a postscript by Giorgio Melchiori, and a detailed bibliography, complete the volume. |
Содержание
| 5 | |
The Interdiction of Eroticism in Shakespeares Histories | 35 |
Shakespeares Discursive Strategies and Their Definitions of Subjectivity | 54 |
A Role for the Theater In Measure for Measure | 75 |
Shakespeares Uncultured Caesar on the Elizabethan Stage | 87 |
Shakespeares History Plays as a Scene of the Disappearance of Popular Discourse | 106 |
The Space of the Merchant in Shakespeares Early Comedies | 130 |
Apocalypse and Infinity of the World in Antony and Cleopatra | 143 |
But thou didst understand me by my signs The Instability of Signs in King John | 184 |
The Rhetoric of Desdemona | 198 |
The Rhetoric of Expectation and the Rhetoric of Surprise in English Baroque Theater | 223 |
Three Dramatic Incipits | 236 |
Bibliography | 257 |
Contributors | 266 |
Index | 269 |
Notes on Elizabethan Ambivalence with Examples from Shakespeare | 165 |
Другие издания - Просмотреть все
Italian Studies in Shakespeare and His Contemporaries Michele Marrapodi,Giorgio Melchiori Просмотр фрагмента - 1999 |
Часто встречающиеся слова и выражения
action Alessandro Serpieri ambiguity Antonio Antony and Cleopatra Antony's Arden audience Bassanio behavior Belmont body bond Bruno characters CLUEB comedy comic contemporary critical cultural death Desdemona Digges discourse doth dream Dryden duke edition Elizabethan England English eros erotic essay ethics expression Falstaff father FERNANDO FERRARA figure function heaven Henry Herod Iago Iago's ideological infinite interdiction interpretation Italian Jews Julius Caesar King John King Lear language literary London Lord lovers Macbeth Marrapodi means Measure for Measure Melchiori Merchant of Venice Midsummer Night's Dream Milan moral nature Othello plot political Portia prince protasis protatic reality relationship Renaissance represented rhetorical Richard role Rome scene sense Shake Shakespeare Shylock social sovereign speak speare's spectator speech stage story studies symbolic teatro testo alla scena textual theater theatrical thee theme Theseus Thomas thou tion tradition tragedy tragic translation Troilus Troilus and Cressida University Press words