The Perception and Evocation of LiteratureScott, Foresman, 1973 - Всего страниц: 376 |
Результаты поиска по книге
Результаты 1 – 3 из 45
Стр. 101
... become as one ; and in the truly successful interpre- tation , it should be as difficult to distinguish one from the other as to distinguish the dancer from the dance . In the successful performance of literature , the audience feels ...
... become as one ; and in the truly successful interpre- tation , it should be as difficult to distinguish one from the other as to distinguish the dancer from the dance . In the successful performance of literature , the audience feels ...
Стр. 158
... become one , and they have a genu- ine sense of what the " source of poetic experience " means . To evoke this oneness among literature - performer - perceiver becomes one of the most serious challenges facing the auxiliary artist . How ...
... become one , and they have a genu- ine sense of what the " source of poetic experience " means . To evoke this oneness among literature - performer - perceiver becomes one of the most serious challenges facing the auxiliary artist . How ...
Стр. 169
... become very popular and be used widely in a variety of meanings as happened when T. S. Eliot symbolized Western cul- ture as a " wasteland . " A contemplative symbol is the most difficult of the three to ex- plain , but an example may ...
... become very popular and be used widely in a variety of meanings as happened when T. S. Eliot symbolized Western cul- ture as a " wasteland . " A contemplative symbol is the most difficult of the three to ex- plain , but an example may ...
Содержание
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Авторские права | |
Не показаны другие разделы: 23
Часто встречающиеся слова и выражения
ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer