The Poetic Birth: Milton's Poems of 1645Scolar Press, 1991 - Всего страниц: 249 This book offers a reading of most of the poems collected by Milton in his youth and early maturity for Humphrey Moseley's publication of "The Poems of Mr John Milton" in 1645. The edition is examined as a poetic and political manifesto, anticipating many of the ideas more fully discussed in "Paradise Lost". Dr Moseley examines the development of Milton's poetic calling, its origins, authority and national importance, and sets these ideas in their European context. Also explored is Milton's inheritance not only from Classical authors but also from the Italians and Spenser. Dr Moseley then draws attention to the significant structure of the 1645 volume and discusses the manner in which Milton presents material, which was originally written for one audience and context, to another set of readers who knew him as a highly active political figure and who were intended to read this book in the months after the battle of Naseby. A prose translation of all the Latin poems is included. |
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Стр. 9
... Classical and contemporary art and literature with which the reader of Milton has to cope and which his introducer has to explain is in no sense merely decorative . Renaissance and medieval poems derive a great deal of their force from ...
... Classical and contemporary art and literature with which the reader of Milton has to cope and which his introducer has to explain is in no sense merely decorative . Renaissance and medieval poems derive a great deal of their force from ...
Стр. 11
... Classical pastoral , but also on the development of it called ' bergerie ' in the medieval vernaculars . Bergerie does use the real shepherds Theocritus treated with caution and Vergil kept in the background ( and whom Petrarch and Pope ...
... Classical pastoral , but also on the development of it called ' bergerie ' in the medieval vernaculars . Bergerie does use the real shepherds Theocritus treated with caution and Vergil kept in the background ( and whom Petrarch and Pope ...
Стр. 149
... Classical eclogue . Both of these developments lie behind Lycidas . Thus , in the sixteenth - century Italian pastoral lyric , there is a tendency to make verbal patterns ( including rhythm ) take over the main function of providing the ...
... Classical eclogue . Both of these developments lie behind Lycidas . Thus , in the sixteenth - century Italian pastoral lyric , there is a tendency to make verbal patterns ( including rhythm ) take over the main function of providing the ...
Содержание
The ceaseless round of study and reading | 20 |
3 | 28 |
and Orpheus | 54 |
Авторские права | |
Не показаны другие разделы: 8
Часто встречающиеся слова и выражения
Aeneid ancient argument audience called Cambridge canzone century chastity Christ Christian Church Classical Comus contemporaries Damon Dante darkness death developed Diodati discussion divine earth echo Eclogue Elegy England English epic example Faerie Queene father glimpse Go home unfed God's gods Greek harmony heaven heavenly holy human hymn idea Il Penseroso important Italian John Milton Jove King L'Allegro Lady language Latin learned lines literary look Lycidas Mansus Marsilio Ficino masque matter Milton mind moral Muses Nativity Ode nature Neoplatonic Orpheus Ovid Paradise Lost paragraph Passion pastoral Penseroso Petrarch philosophical Phoebus Platonic pleasure poem poet poetic poetry political psalms readers Renaissance rhetoric rhyme seems sense serious Shepheardes Calendar shepherds singing Smectymnuus Solemn Music song Sonnet sort soul speech Spenser Spirit stanza stresses structure suggests symbolic Tasso Theocritus things understanding University Press Vergil verse virtue vision visual voice words writing
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Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Просмотр фрагмента - 2002 |
Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Ограниченный просмотр - 2002 |