Reinventing Romantic Poetry: Russian Women Poets of the Mid-Nineteenth CenturyUniversity of Wisconsin Press, 2004 - Всего страниц: 306 Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation. |
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... final separation of death especially hard to bear , inspiring fantasized reunions beyond death . Paradoxically , however , these women poets gain from religion what men elegists , ac- cording to Sacks , gain from the funerary elegy , a ...
... final and most encompassing poetic genre , or " kind , " to be dis- cussed is the Romantic lyric . Lyric originally referred to one of three modes of literature — a musical mode , sung to the lyre , as opposed to the epic and drama . In ...
... final line to twenty - three out of the thirty lines of " O daite mne pole . " Although these twenty - five poems may not be typical of Khvoshchinskaia's work as a whole , even a prelimi- nary look at their themes — and most contain ...
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