Shakespeare and the Poets' WarColumbia University Press, 7 мая 2001 г. - Всего страниц: 266 In a remarkable piece of detective work, Shakespeare scholar James Bednarz traces the Bard's legendary wit-combats with Ben Jonson to their source during the Poets' War. Bednarz offers the most thorough reevaluation of this "War of the Theaters" since Harbage's Shakespeare and the Rival Traditions, revealing a new vision of Shakespeare as a playwright intimately concerned with the production of his plays, the opinions of his rivals, and the impact his works had on their original audiences. Rather than viewing Shakespeare as an anonymous creator, Shakespeare and the Poets' War re-creates the contentious entertainment industry that fostered his genius when he first began to write at the Globe in 1599. |
Содержание
Shakespeares Purge of Jonson The Theatrical Context of Troilus and Cressida | 19 |
PART ONE | 53 |
Jonson on Shakespeare Criticism as SelfCreation | 55 |
Representing Jonson Histriomastix and the Origin of the Poets War | 83 |
Shakespeare in Love The Containment of Comical Satire in As You Like It | 105 |
Marstons Festive Comedy Punishing Jonson in Jack Drums Entertainment | 133 |
PART TWO | 153 |
The War of the Private Theaters Cynthias Revels or What You Will | 155 |
PART THREE | 201 |
Impeaching Your Own Quality Constructions of Poetic Authority in Poetaster and Satiromastix | 203 |
Ben Jonson and the Little Eyases Theatrical Politics in Hamlet | 225 |
Troilus and Cressida and the Impact of the Poets War | 257 |
CHRONOLOGICAL APPENDIX | 265 |
NOTES | 277 |
325 | |
Shakespeare at the Fountain of SelfLove Twelfth Night at the Center of the Poets War | 175 |
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