The Political Theory of Painting from Reynolds to Hazlitt: The Body of the PublicYale University Press, 1 янв. 1995 г. - Всего страниц: 366 What is the function of painting in a commercial society? John Barrell discusses how British artists and writers of the late eighteenth and early nineteenth centuries, including Sir Joshua Reynolds, William Blake, and James Barry attempted to answer this question. His provocative and illuminating book offers a new perspective on both art criticism and eighteenth-century British culture. |
Содержание
INTRODUCTION A REPUBLIC OF TASTE I | 1 |
the scope of the book 1 The discourse | 13 |
republic of taste 13 Painting and public virtue 18 | 27 |
the history of painting 33 Theories | 63 |
SIR JOSHUA REYNOLDS | 69 |
JAMES BARRY | 163 |
A BLAKE DICTIONARY | 222 |
HENRY FUSELI | 258 |
BENJAMIN ROBERT HAYDON AND WILLIAM | 308 |
public style and individual genius 308 | 320 |
Hazlitt and Reynolds 326 Private art and public | 338 |
| 363 | |
Часто встречающиеся слова и выражения
abstract Academy aesthetic appear argues argument artist Barry's beauty become believed Blake body Borghese Warrior Britain central form character Characteristicks citizen civic humanism civic humanist theory claim common concerned criticism customs discourse of civic distinction division of labour epic essay Eupompus exhibit expression figures function of art Fuseli Fuseli's genius genres Greek Haydon Hazlitt hierarchy of genres history of painting history-painting human nature idea ideal images imagination imitation individual insofar interest James Barry lectures liberal mankind means mechanical Mengs Michelangelo mind modern moral objects offers opinion original ornament painter particular passions perfect picture political republic Polygnotus portraits principle private virtues produced public art public spirit public virtue Raphael recognise representation represented republic of taste Reynolds Reynolds's rhetorical Richardson seems sense Shaftesbury simply social society spectator suggest task theory of art theory of painting tion Titian traditional Turnbull uniformity unity vision vulgar William Hazlitt