University of Alabama Studies, Выпуск 15

achieve Allen Tate analogy Anne Killigrew argued argument beauty Coleridge Coleridgean conscious consolation Crispin death delight and instruction deny diction Dryden emotional emulation epic eternity experience expresses fact fancy feeling formal Four Quartets free verse freedom genres human iambic ideas imagery imagination imitation instruction and delight judge judgment kind King Lear lament language lines literary logical longer poems Lycidas M. H. Abrams means meed ment metrical Milton mind modern moral mystical neo-classical theory notion organic form passage pastoral phrase physical nature poem poem's poet poetic poetry possible praise propriety prose prose poetry Quartets rational reality religious rhetoric rhythm romantic rules sense serious Shakespeare song sound standards Stevens style swain syntax T. S. Eliot Tate theme things Thomas Rymer thou Tintern Abbey tion tradition tragic true truth University vision Wallace Stevens word Wordsworth write Yvor Winters