Faulkner and Modernism: Rereading and RewritingUniversity of Wisconsin Press, 1990 - Всего страниц: 259 Throughout his career Faulkner retold some of the same stories about some of the same events and characters, but retold them differently. For many years now these rewritings and revisions have been judged failures of craft. But Faulkner knew they were there and defended his discrepancies, associating them with learning about human character. Richard Moreland argues that these revisionary repetitions in fact constitute Faulkner's conscious critique of modernism. Moreland's readings of Absalom! Absalom!, The Hamlet, Go Down, Moses Requiem for a Nun and other works reveal Faulkner's explorations of both the motivations and consequences of modernism in the context of America's dominant discourses of class, race, gender and sexuality. |
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Стр. 9
... tion and elaboration as an exemplary scene of critical escape from reduc- tive and oppressive social categories and oppositions , a scene that points a way out for others without pretending to point the one new way . I have mentioned ...
... tion and elaboration as an exemplary scene of critical escape from reduc- tive and oppressive social categories and oppositions , a scene that points a way out for others without pretending to point the one new way . I have mentioned ...
Стр. 104
... tion of his affront as natural , necessary , or as merely accidental to the operation of an economy in which both he and the planter participate and believe , he here resembles the slave or prostitute who scandalizes bour- geois ...
... tion of his affront as natural , necessary , or as merely accidental to the operation of an economy in which both he and the planter participate and believe , he here resembles the slave or prostitute who scandalizes bour- geois ...
Стр. 125
... tion of the apparent double bind comes only at the end of the novel , so that what I am prospectively calling humor ( looking ahead to the humorous fiction that follows in The Hamlet and Go Down , Moses ) is here still deeply ambiguous ...
... tion of the apparent double bind comes only at the end of the novel , so that what I am prospectively calling humor ( looking ahead to the humorous fiction that follows in The Hamlet and Go Down , Moses ) is here still deeply ambiguous ...
Содержание
Nausea and Ironys Failing Distances | 23 |
Willfulness and Ironys Other Voices | 79 |
From Irony to Humor and Rage | 122 |
Авторские права | |
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Часто встречающиеся слова и выражения
Ab's Absalom accept actually already ambivalence apparently articulate attempt authority becomes begin Bon's called chapter child Compson continuing critical cultural dead death denial deny desire door economy escape especially event example exchange exclusion face father Faulkner fear fiction finally Flem forced fright Hamlet hand Henry historical hope human humor ideal imagine innocence involvement ironic irony Judith kind later least less living look loss means modernist moral mourning Nancy narrative nature novel object oppositions particular past perhaps planter's position possibility Quentin Ratliff reading reality recognize repeated repetition represents resistance revision role Rosa Rosa's says scene seems sense social society society's South Southern speak story structure suffering suggests supposedly surprise Sutpen symbolic tell Temple tion trying turn understand victim violent voice writing