Improving Your Storytelling: Beyond the Basics for All who Tell Stories in Work Or Playaugust house, 1999 - Всего страниц: 219 The first steps in storytelling are often easy, because we tell stories informally every day. Once you take storytelling into the more formal contexts of performance or occupational uses, however, you may be faced with challenges you hadn't anticipated. You need information that goes beyond the basics. And you need it in a form that does not just tell you what to do but helps you make your own informed decisions. This book is meant for the reader who has already begun to tell stories and is ready to learn more about the art. Instead of rules to follow, it gives you a series of frameworks that encourage you to think on your feet. Doug Lipman has written and taught extensively on the art of storytelling. With the same generosity and warmth that characterize his workshops, he considers the teller's relationship to the story, the teller's relationship to the audience, and the transfer of imagery in a medium that is simultaneously visual, auditory, and kinesthetic. |
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... Chapter 1 : Oral Language 21 22 THE VARIETY OF EXPRESSION Tone of Voice △ Facial Expression , Gestures , and ... Chapter 2 : Forms of Imagery THE NATURE OF IMAGES 41 41 The Ways Experiences Are Stored PREFERRED MODES OF IMAGERY Learning ...
... Chapter 1 : Oral Language 21 22 THE VARIETY OF EXPRESSION Tone of Voice △ Facial Expression , Gestures , and ... Chapter 2 : Forms of Imagery THE NATURE OF IMAGES 41 41 The Ways Experiences Are Stored PREFERRED MODES OF IMAGERY Learning ...
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... Chapter 3 : Imagining Fully SEE THE SIGHTS What If I Can't See the Colors ? HEAR THE SOUNDS 50 Developing Your Aural Sensitivity FEEL THE MUSCLE - TENSION AND MOVEMENT 52 Tuning In to Kinesthetic Images △ Using Sensory Details When ...
... Chapter 3 : Imagining Fully SEE THE SIGHTS What If I Can't See the Colors ? HEAR THE SOUNDS 50 Developing Your Aural Sensitivity FEEL THE MUSCLE - TENSION AND MOVEMENT 52 Tuning In to Kinesthetic Images △ Using Sensory Details When ...
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... Chapter II : The Four Tasks UNITING 125 Ways to Unite INVITING 128 125 Relaxed Confidence △ Rejected Invitations OFFERING 132 Too Much Invitation ACKNOWLEDGING 134 Chapter 12 : Your Effect on Your Listeners 137 LEANING FORWARD 137 ...
... Chapter II : The Four Tasks UNITING 125 Ways to Unite INVITING 128 125 Relaxed Confidence △ Rejected Invitations OFFERING 132 Too Much Invitation ACKNOWLEDGING 134 Chapter 12 : Your Effect on Your Listeners 137 LEANING FORWARD 137 ...
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... Chapter 17 : Your Support Team PLANNING BUDDIES 181 181 MANY HELPINGS 182 THREE KINDS OF HELPERS 183 THE CARE AND FEEDING OF HELPERS 184 INTANGIBLE HELP 184 SECTION 5 : PUTTING IT ALL TOGETHER 187 189 Chapter 18 : The Flexible Shifting ...
... Chapter 17 : Your Support Team PLANNING BUDDIES 181 181 MANY HELPINGS 182 THREE KINDS OF HELPERS 183 THE CARE AND FEEDING OF HELPERS 184 INTANGIBLE HELP 184 SECTION 5 : PUTTING IT ALL TOGETHER 187 189 Chapter 18 : The Flexible Shifting ...
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Содержание
ACKNOWLEDGMENTS | 9 |
THE TRANSFER OF IMAGERY | 19 |
Forms of Imagery | 41 |
Imagining Fully | 47 |
Kinesthetic Imagery and Characterization | 57 |
YOUR RELATIONSHIP TO THE STORY | 73 |
Learning the Story | 81 |
Discovering the Meaning | 87 |
Your Effect on Your Listeners | 137 |
Program Planning | 143 |
Developing Audiences for Your Needs | 149 |
YOUR RELATIONSHIP TO YOUR SELF | 155 |
Performance Anxiety | 167 |
Your Support Team | 181 |
PUTTING IT ALL TOGETHER | 187 |
Balancing the Details with the Goals | 197 |
Discovering the Structure | 95 |
Memorizing | 101 |
YOUR RELATIONSHIP TO YOUR LISTENERS | 113 |
The Four Tasks | 125 |
TRANSFORMATION | 207 |
NOTES | 213 |
Часто встречающиеся слова и выражения
abdomen American Sign Language attention audi audience members audience's Baal Shem Tov Beanstalk become began beneficiary body center boogedy breathing chapter character component create cultures develop Donald Davis effect emotional example expectations experience eye behaviors eye contact facial expression fear feel focus folktale Garrison Keillor gesture goal happen Hasidic hear images imagine invitation Jack Jack's Jackie Torrence Jewish Jonesborough kind kinesthetic imagery L-cut leaning back Lipman listeners look memorize muscles muscular tension National Storytelling Festival notice Once oral language particular pause performance person rehearsal buddy relationship relaxed response role of helper Ron Evans rytelling Samael scene situation someone song Soul of Hope sound stonecutter story's meaning story's structure storytelling event tell a story tell the story teller tion told tone of voice unconscious understanding usually visual vocal walk words written language yawn
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