Frost's Road TakenP. Lang, 1996 - Всего страниц: 250 According to the revived Robert Frost Society Newsletter, Frost is now more in the limelight than ever. By focusing on him first as a Romantic-Realist, Professor Fleissner shows Frost's debt to major British Romantics, Victorians, as well as American poets (the latter being influences not generally known). Dr. Fleissner comes to terms with Frost as a spiritual writer, stressing his use of the Bible, and discusses a transcription of a Frost manuscript of a new poetic construct. Lastly the author provides an up-to-date account of the poet's relation to multiculturalism in terms of ethnic issues. As the title is meant to convey, the book concerns not a journey assumed merely by a Frost devotee, but Robert Frost's own road being taken, namely that originally traversed by the poet himself and now transformed into essay format. |
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Стр. 46
... night . " For the time of Frost's poem's action is twelve midnight if for no other reason than that the two hands of a tower clock would then point straight up , in that sense being “ neither wrong nor right ” ( and let us not dismiss ...
... night . " For the time of Frost's poem's action is twelve midnight if for no other reason than that the two hands of a tower clock would then point straight up , in that sense being “ neither wrong nor right ” ( and let us not dismiss ...
Стр. 47
... Night , ” Anderson is still on slippery footing , for the clocktime involved is at odds with such a view . Again with regard to autobiographical input , clearly at least one line in the lyric is a giveaway : " I have looked down the ...
... Night , ” Anderson is still on slippery footing , for the clocktime involved is at odds with such a view . Again with regard to autobiographical input , clearly at least one line in the lyric is a giveaway : " I have looked down the ...
Стр. 51
... night , and the work in general as revealing the New Englander's " kinship with Baudelaire and all seers of the modern city " ( Bower 126 ) . —Coleridge as seer too ? Inas- much as " Acquainted with the Night ” has been dubbed " dark night ...
... night , and the work in general as revealing the New Englander's " kinship with Baudelaire and all seers of the modern city " ( Bower 126 ) . —Coleridge as seer too ? Inas- much as " Acquainted with the Night ” has been dubbed " dark night ...
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the Picturesque Wordsworth Reechoed | 31 |
A FrostDickinson | 81 |
Accompanying Robert Frost with Cranes The | 99 |
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aesthetic allusion American appear Apple-Picking apples apropos basic Bread Loaf Centennial Essays chapter Christian cited clearly Coleridge Coleridge's connection context correlation Crane critical death Dickinson Edward Connery effect Emily Dickinson England evident final Fire and Ice Fireflies Frost poem Frostian further Goethe Goethe's Gold Hesperidee Golden happens harking back hence hint human humor imagery Jac Tharpe Keats Keats's Kubla Khan Lanier later Lawrance Thompson least likewise Louis Untermeyer Lucy lyric Markham Masque meaning Mending Wall merely Miller mind modern Monteiro namely nature night notably once overall perhaps phrase poem's poet's poetic puritan reader reading reason recall reference Reichert relation RFYT Road Not Taken Robert Frost Romantic Romanticism seemingly sense Shakespeare simply sonnet speaker stanzas Stopping by Woods suggest symbolic T. S. Eliot tells Tennyson thematic thereby Thompson thought tion Torrence turn Untermeyer verse Whereas word Wordsworth Wordsworthian