An Essay on the Writings and Genius of Shakespeare Compared with the Greek and French Dramatic PoetsR. Priestley, 1966 - Всего страниц: 296 |
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Стр. 86
... affected such a sort of popularity as would have gained the esteem as well as love of the multitude . Whether Henry , in the early part of his life , was indulging a humour that inclined him to low and wild company , or endea- vouring ...
... affected such a sort of popularity as would have gained the esteem as well as love of the multitude . Whether Henry , in the early part of his life , was indulging a humour that inclined him to low and wild company , or endea- vouring ...
Стр. 137
... affected by the cir- cumstance of Clytemnestra's relation to the murderer , because she herself had no mo- ther , means only that justice is not governed by any affection or personal consideration , but acts by an invariable and general ...
... affected by the cir- cumstance of Clytemnestra's relation to the murderer , because she herself had no mo- ther , means only that justice is not governed by any affection or personal consideration , but acts by an invariable and general ...
Стр. 249
... affected by the fall of so great a man . As the illiterate people are afraid of being imposed upon by the arts of the learn- ed and the eloquent , he very judiciously assures them he is no orator . The refine- ments of the French ...
... affected by the fall of so great a man . As the illiterate people are afraid of being imposed upon by the arts of the learn- ed and the eloquent , he very judiciously assures them he is no orator . The refine- ments of the French ...
Содержание
Upon the Death of Julius Cæsar | 223 |
Dialogue I | 267 |
Dialogue II | 276 |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation interest judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLEBEIAN PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedians tragedy translation virtue Voltaire vulgar witches words writers