Screen Acting: How to Succeed in Motion Pictures and TelevisionLone Eagle, 1987 - Всего страниц: 377 |
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Стр. 271
... screen star Helen Morse , when asked how she approached the portrayal of a character , said : ' I dissect it and analyse it . I usually try to have an overall picture of the char- - I think “ This person is like somebody I know or met ...
... screen star Helen Morse , when asked how she approached the portrayal of a character , said : ' I dissect it and analyse it . I usually try to have an overall picture of the char- - I think “ This person is like somebody I know or met ...
Стр. 356
... SCREEN PLAYERS IN CLOSE - UP During the filming of close - ups , the actor or actors involved in the master scene who are now off - screen , feed their lines to the on - screen player from beside the camera , not from their original ...
... SCREEN PLAYERS IN CLOSE - UP During the filming of close - ups , the actor or actors involved in the master scene who are now off - screen , feed their lines to the on - screen player from beside the camera , not from their original ...
Стр. 360
... screen actor . His deep , resonant voice and good looks , coupled to his low - key acting style , ideally suited the camera . I met him on the set of Boy on a Dolphin , during its production in Hollywood in 1957. I was in Hollywood as a ...
... screen actor . His deep , resonant voice and good looks , coupled to his low - key acting style , ideally suited the camera . I met him on the set of Boy on a Dolphin , during its production in Hollywood in 1957. I was in Hollywood as a ...
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ability achieve acting actor needs actress agent Alan Ladd angle attention attitudes audience become body Bogart Brando breathing Brian Adams bring camera career Cary Grant casting directors character's client close-up comedy confidence conscious consonants Constantin Stanislavski create creative desire develop dialogue drama dress emotions energy expression eyes fear film gesture give goals Grundy Television he/she his/her Hollywood human Humphrey Bogart IDEAS TO REVIEW impression instrument interview John Gielgud Kirk Douglas Laurence Olivier lines listen look Marlon Brando meaning mental motion picture motivated move movement objectives pause performance personality Peter Sellers physical players playing position posture presentation producer projection pronunciation relaxed requires rhythm role scene screen actor screenplay script shot SLADE sound speak stage character Stanislavski stardom story success SUMMARY OF IDEAS talent technique television theatre things tone Torvill and Dean understanding Vincent Price vocal vowel words writer