The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - Всего страниц: 286 |
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Стр. 68
... Poet ? To whom does he address himself ? And what language is to be expected from him ? He is a man speaking to men ... poet's spiritual or mental faculties ( a state of mind , open not to judgment , but only to empathy or dispathy ) ...
... Poet ? To whom does he address himself ? And what language is to be expected from him ? He is a man speaking to men ... poet's spiritual or mental faculties ( a state of mind , open not to judgment , but only to empathy or dispathy ) ...
Стр. 81
... poet he had always been meant to be , not the poet others expected him to be . The Lyrical Ballads of 1798 , with the " Advertisement " of the poet's intentions , was the result . Here , as the later " Preface " of 1800 asserts , was a ...
... poet he had always been meant to be , not the poet others expected him to be . The Lyrical Ballads of 1798 , with the " Advertisement " of the poet's intentions , was the result . Here , as the later " Preface " of 1800 asserts , was a ...
Стр. 114
... poet's self - embodi- ment . Particularly in " Frost at Midnight " and " This Lime - Tree Bower My Prison , " recognition of the poet's power to transform the “ inanimate , cold world " is , instead , implied by others ' presumed as ...
... poet's self - embodi- ment . Particularly in " Frost at Midnight " and " This Lime - Tree Bower My Prison , " recognition of the poet's power to transform the “ inanimate , cold world " is , instead , implied by others ' presumed as ...
Содержание
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
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The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Недоступно для просмотра - 2013 |
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Недоступно для просмотра - 1999 |
Часто встречающиеся слова и выражения
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes
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