Shyam Benegal

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British Film Institute, 2002 - Всего страниц: 246
Shyam Benegal is the best known and most prolific contemporary film-maker from India's arthouse or "New Cinema" tradition. This work traces a career with its beginnings in political cinema and a realist aesthetic. It shows how the struggles of women and the dispossessed and marginalized in Indian society have found an eloquent expression in films as diverse as "Nishant", "Bhumika", "Mandi", "Suraj ka Satwa Ghoda" and "Kalyug". It also traces Benegal's work with collaborators including many of the biggest names in commercial cinema - Om Puri, Shabana Azmi, Naseeruddin Shah, and more recently Karishma Kapoor, Govind Nihalini, and A.R. Rahman - developing a style and ethos uniquely his. It also provides an overview of the director's work, explaining how it presents both a stark contrast to Bollywood and yet also contains many creative continuities both with commercial cinema and with his distinguished predecessor Satyajit Ray.

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Parallel Cinema in India
18
The Formative Years
44
Winds of Change
60
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Об авторе (2002)

Sangeeta Datta is a writer/director, independent filmmaker and cultural commentator. She is director of Baithak – a non-profit arts company – and Stormglass Productions. Trained and published in Tagore music, Datta has been a research fellow at the University of Sussex and SOAS, UK, and is the co-author, with Kaustav Bakshi and Rohit K. Dasgupta, of Rituparno Ghosh: Cinema, Gender and Art, (2015). Her critically acclaimed work includes the award-winning feature film adaptation of King Lear, Life Goes On (2009), the stage productions The Dying Song (2008) and Gitanjali 100 (2013-14), and the documentary, Bird of Dusk (2018).

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