The Culture of Fragments: Word and Images in Futurism and SurrealismRodopi, 1997 - Всего страниц: 202 Works of art such as paintings with words on them or poems shaped as images communicate to the viewer by means of more than one medium. Here is presented a particular group of hybrid art works from the early twentieth century, to discover in what way words and images can function together to create meaning. The four central artists considered in this study investigate word/image forms in their work. F.T. Marinetti invented parole in libertà, among other ideas, to free language from syntactic connections. Umberto Boccioni experimented with newspaper clippings on the canvas from 1912-1915, and these collages constitute an important exploration into word/image forms. André Breton's collection of poems Clair de terre (1923) contains several typographical variations for iconographic effect. René Magritte explored the relationship between words and images, juxtaposing signifiers to contradictory signifieds on the canvas. A final chapter introduces media other than poetry and painting on which words and images appear. Posters, the theater, and the relatively new medium of cinema foreground words and images constantly. This volume will be of interest to scholars of twentieth-century French or Italian literature or painting, and to scholars of word and image studies. |
Содержание
1 | |
LIST OF ILLUSTRATIONS | 22 |
ILLUSTRATIONS | 171 |
Illustration from Zang Tumb Tumb | 172 |
Illustration from Zang Tumb Tumb | 173 |
Illustration from Clair de terre | 174 |
Illustration from Clair de terre | 175 |
Illustration from Clair de terre | 176 |
Umberto Boccioni Dinamismo di una testa di donna 1914 | 180 |
Umberto Boccioni Dinamismo di una testa duomo 1914 | 181 |
Umberto Boccioni Sotto il pergolato a Napoli 1914 | 182 |
Umberto Boccioni Carica di lancieri 1915 | 183 |
Carlo Carrà Manifestazione interventista 1914 | 184 |
René Magritte La condition humaine 1933 | 185 |
René Magritte Le miroir vivant 1926 | 186 |
René Magritte La trahison des images 1929 | 187 |
Umberto Boccioni Natura morta con sifone per seltz 1912 | 177 |
Umberto Boccioni Natura morta 1916 | 178 |
Umberto Boccioni Rissa nella Galleria 1910 | 179 |
René Magritte Les deux mystères 1966 | 188 |
WORKS CITED | 189 |
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The Culture of Fragments: Words and Images in Futurism and Surrealism Orban Ограниченный просмотр - 2023 |
Часто встречающиеся слова и выражения
aesthetic André Breton appears artists avant-garde Balla calligram Calvesi and Coen canvas Carrà central cinema Clair de terre collage colors context create Cubist Dada decoding depicted Dinamismo discourse discussion dream dynamism elements explore F. T. Marinetti film fragmentation Freud function Futurist genre Giacomo Balla iconic iconographic ideas illustration imagery implies inherent intertitles Italian juxtaposed juxtaposition La révolution surréaliste landscape language linguistic literally literary Magritte's manifestos Marinetti meaning metaphor morta con sifone motion n'est Natura morta nature newsprint nouns objects onomatopoeia painter painting Paris parole in libertà perhaps phrase picture pipe poem poet poetic poetry Premier manifeste present produced reading reality reference refracted remains René Magritte representation represents seltz semiotic serate Severini sifone per seltz sign-systems signs space Surrealism Surrealist movement symbols tavole techniques Teoria theater theories types typographical Umberto Boccioni Un chien andalou viewer visual word/image words and images Zang Tumb Tumb
Популярные отрывки
Стр. 14 - An Icon is a sign which refers to the Object that it denotes merely by virtue of characters of its own, and which it possesses, just the same, whether any such Object actually exists or not.
Стр. 16 - La langue est un système de signes exprimant des idées, et par là, comparable à l'écriture, à l'alphabet des sourds-muets, aux rites symboliques, aux formes de politesse, aux signaux militaires, etc., etc.