William Shakespeare's Antony and CleopatraPearson Longman, 2008 - Всего страниц: 273 From Longman's Cultural Editions series, Antony and Cleopatra, edited by David Quint, presents William Shakespeare's classic work along with a critical introduction and contextual materials on and from the period. Handsomely produced and affordably priced, the Longman Cultural Editions series presents classic works in provocative and illuminating contexts-cultural, critical, and literary. Each Cultural Edition consists of the complete text of an important literary work, reliably edited, headed by an inviting introduction, and supplemented by helpful annotations; a table of dates to track its composition, publication, and public reception in relation to biographical, cultural and historical events; and a guide for further inquiry and study. One Longman Cultural Edition can be packaged at no additional cost with any volume of The Longman Anthology of British Literature by Damrosch et al., or at a discount with any other Longman textbook. See all the Longman Cultural Editions at www.ablongman.com/longmanculturaleditions. |
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... seems to be a dream of the larger possibilities of human experience . We might call this dream - world what ... seem governed by sheer chance . Vanquished Cleopatra bitterly calls Caesar " Fortune's knave " ( 5.2.3 ) , even as Philo had ...
... seems to be a dream of the larger possibilities of human experience . We might call this dream - world what ... seem governed by sheer chance . Vanquished Cleopatra bitterly calls Caesar " Fortune's knave " ( 5.2.3 ) , even as Philo had ...
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... seem formed for each other , and Cleopatra is as remarkable for her seductive charms as Antony for the splendour of his ... seems to have completely seen through , without allowing himself to be led astray by the fortune and fame of ...
... seem formed for each other , and Cleopatra is as remarkable for her seductive charms as Antony for the splendour of his ... seems to have completely seen through , without allowing himself to be led astray by the fortune and fame of ...
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... seems to be the " angelic strength " or " fiery force " of which Coleridge wrote . The first of these two phrases is , I think , the more entirely happy . Except per- haps towards the close , one is not so conscious of fiery force as in ...
... seems to be the " angelic strength " or " fiery force " of which Coleridge wrote . The first of these two phrases is , I think , the more entirely happy . Except per- haps towards the close , one is not so conscious of fiery force as in ...
Содержание
The Historical Background | 139 |
Classical Writers on Mark Antony and Cleopatra | 148 |
Antony and Cleopatra on the Sixteenth | 204 |
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ACT 4 SCENE Actium Agrippa Alexandria Alexas Antony and Cleopatra Antony's arms army battle brother Brutus Cæsar Caesarion called Canidius Cassius character CHARMIAN CLEOPATRA Oh conquered dead death Dolabella drink Egypt Egyptian ENOBARBUS Enter Antony Enter Cleopatra Eros Exeunt Exit eyes farewell fear feast feel fight follow fortune friends Fulvia give gods grace guard hand hath hear heart heaven honor i'th Iras Italy Julius Caesar kings kiss lady Lepidus live Location look lord lovers madam MAECENAS Mardian Mark Antony matter MENAS MESSENGER never noble o'th Octavius Caesar Parthians passion play Plutarch Pompey pray Proculeius Ptolemy queen Roman Rome Samuel Daniel SCARUS sent SERVANT Sextus Sextus Pompeius Shakespeare shame ships soldiers SOOTHSAYER speak sword tell thee Thidias thine things thou hast thought tragedy triumph triumvirate unto Cæsar Ventidius victory wife women words