 | John Ruskin - 1853 - Страниц: 440
...scene to be thought of only as a theme for their manifestation. Observe the difference. In old times, men used their powers of painting to show the objects...faith that they might show their powers of painting. The distinction is enormous, the difference incalculable as irreconcilable. And thus, the more skilful... | |
 | 1856 - Страниц: 386
...harvest into a heap and set fire to it. Sadi. In old times men used their powers of painting to sliow the objects of faith; in later times they used the...faith that they might show their powers of painting. Ruskin. Even if we can extract a sweetness, an added grace to our own character from every root of... | |
 | 1862 - Страниц: 548
...of art alone ? ' In °^ unie!| men used their powers of painting to show the objects of faith; in WJ times, they used the objects of faith that they might show their po«r-if' painting.' A saying that, alas! which some of us who are preachers a Christ's Gospel would... | |
 | John Ruskin - 1867 - Страниц: 392
...scene to be thought of only as a theme for their manifestation. Observe the difference. In old times, men used their powers of painting to show the objects...faith that they might show their powers of painting. The distinction is enormous, the difference incalculable as irreconcilable. And thus, the more skilful... | |
 | John Ruskin - 1874 - Страниц: 414
...scene to be thought of only as a theme for their manifestation. Observe the difference. In old times, men used their powers of painting to show the objects...faith that they might show their powers of painting. The distinction is enormous, the difference incalculable as irreconcilable. And thus, the more skilful... | |
 | John Ruskin - 1885 - Страниц: 692
...scene to be thought of only as a theme for their manifestation. Observe the difference. In old times, men used their powers of painting to show the objects...faith that they might show their powers of painting. The distinction is enormous. the difference incalculable as irreconcilable. And thus, the more skilful... | |
 | John Ruskin - 1885 - Страниц: 656
...scene to be thought of only as a theme for their manifestation. Observe the difference. In old times, men used their powers of painting to show the objects...objects of faith that they might show their powers of pointing. The distinction is enormous, the difference incalculable as irreconcilable. And thus, the... | |
 | William Samuel Lilly - 1886 - Страниц: 364
...says, " used their powers of painting to show the objects of faith : " whereas the later schools " used the objects of faith that they might show their powers of painting."i But the medieval Tuscan was not the only art school in which Michael Angelo studied. There... | |
 | 1888 - Страниц: 252
...the sport of every breath of folly. Hazlitt. In old times men used their power of painting to snow the objects of faith ; in later times they used the...faith that they might show their powers of painting. J. RusUn. Art is based on a strong sentiment of religion — on a profound and mighty earnestness ;... | |
 | John Ruskin - 1891 - Страниц: 392
...scene to be thought of only as a theme for their manifestation. Observe the difference. In old times, men used their powers of painting to show the objects...faith that they might show their powers of painting. The distinction is enormous; the difference incalculable as irreconcilable. And thus, the more skilful... | |
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In old times, men used their powers of painting to show the objects of faith ; in later times, they used the objects of faith that they might show their powers of painting. 
