The Phantom of the OperaRandom House Publishing Group, 18 дек. 2007 г. - Всего страниц: 320 In 1910, the mystery novelist Gaston Leroux, working from scraps of history, theatrical lore, and his own fertile imagination, created a masterpiece in Le fantôme de l’opéra, the story of a disfigured composer who lives in the labyrinthine depths of the Paris Opera. After the breathtaking debut of Christine Daaé, the whispers of an Opera ghost seem to become reality as the young singer vanishes. As the Phantom strikes again and again, targeting foes from a jealous diva to a romantic rival, Leroux spins a thriller of obsession and violence with, at its center, a tormented murderer who awakens our deepest fears and sympathies. The inspiration for Andrew Lloyd Webber’s long-running musical, Leroux’s novel is still more riveting than anything Broadway could produce. |
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Стр. viii
... \'1=..' H4 16. t\~"l,\n=.. GnzY's :\STOL'NDl.\'G R1=.v12L.»\TloNs as To llF.R PERSONAL RELATIONS wrrn THE OPERA (inosT 149 I7. Tm: SAFETY-PIN AGAIN 160 18. THE (loxniissakr, TIIF. \'ist:oim'r .\\"n Tim PERSIAN 19. Tiir.
... \'1=..' H4 16. t\~"l,\n=.. GnzY's :\STOL'NDl.\'G R1=.v12L.»\TloNs as To llF.R PERSONAL RELATIONS wrrn THE OPERA (inosT 149 I7. Tm: SAFETY-PIN AGAIN 160 18. THE (loxniissakr, TIIF. \'ist:oim'r .\\"n Tim PERSIAN 19. Tiir.
Стр. ix
... - PIN 137 15. CHRISTINE ! CHRISTINE ! 144 16. MME . GIRY'S ASTOUNDING REVELATIONS AS TO HER PERSONAL RELATIONS WITH THE OPERA GHOST 149 17. THE SAFETY - PIN AGAIN 160 18. THE COMMISSARY , THE VISCOUNT AND THE PERSIAN 19.
... - PIN 137 15. CHRISTINE ! CHRISTINE ! 144 16. MME . GIRY'S ASTOUNDING REVELATIONS AS TO HER PERSONAL RELATIONS WITH THE OPERA GHOST 149 17. THE SAFETY - PIN AGAIN 160 18. THE COMMISSARY , THE VISCOUNT AND THE PERSIAN 19.
Стр. x
... PERSIAN 167 173 180 20. IN THE CELLARS OF THE OPERA 21. INTERESTING AND INSTRUCTIVE VICISSITUDES OF A PERSIAN IN THE CELLARS OF THE OPERA 195 22. IN THE TORTURE - CHAMBER 208 23. THE TORTURES BEGIN 215 24. " BARRELS ! ... BARRELS ...
... PERSIAN 167 173 180 20. IN THE CELLARS OF THE OPERA 21. INTERESTING AND INSTRUCTIVE VICISSITUDES OF A PERSIAN IN THE CELLARS OF THE OPERA 195 22. IN THE TORTURE - CHAMBER 208 23. THE TORTURES BEGIN 215 24. " BARRELS ! ... BARRELS ...
Стр. xxi
... Persian " and who was well - known to every subscriber to the Opera . The magistrate took him for a visionary . I was immensely interested by this story of the Persian . I wanted , if there were still time , to find this valuable and ...
... Persian " and who was well - known to every subscriber to the Opera . The magistrate took him for a visionary . I was immensely interested by this story of the Persian . I wanted , if there were still time , to find this valuable and ...
Стр. xxii
... Persian's documents precisely ; and a wonderful dis- covery crowned my labors in a very definite fashion . It will be remembered that , later , when digging in the substructure of the Opera , before burying the phonographic records of ...
... Persian's documents precisely ; and a wonderful dis- covery crowned my labors in a very definite fashion . It will be remembered that , later , when digging in the substructure of the Opera , before burying the phonographic records of ...
Содержание
3 | |
13 | |
THE MYSTERIOUS REASON | 22 |
BOX FIVE | 30 |
THE ENCHANTED VIOLIN | 43 |
A VISIT TO BOX FIVE | 59 |
FAUST AND WHAT FOLLOWED | 62 |
THE MYSTERIOUS BROUGHAM | 76 |
MME GIRYS ASTOUNDING REVELATIONS AS TO HER PERSONAL RELATIONS WITH THE OPERA GHOST | 149 |
THE SAFETYPIN AGAIN | 160 |
THE COMMISSARY THE VISCOUNT AND THE PERSIAN | 167 |
THE VISCOUNT AND THE PERSIAN | 173 |
IN THE CELLARS OF THE OPERA | 180 |
INTERESTING AND INSTRUCTIVE VICISSITUDES OF A PERSIAN IN THE CELLARS OF THE OPERA | 195 |
IN THE TORTURECHAMBER | 208 |
THE TORTURES BEGIN | 215 |
AT THE MASKED BALL | 84 |
FORGET THE NAME OF THE MANS VOICE | 94 |
ABOVE THE TRAPDOORS | 100 |
APOLLOS LYRE | 108 |
A MASTERSTROKE OF THE TRAPDOOR LOVER | 126 |
THE SINGULAR ATTITUDE OF A SAFETYPIN | 137 |
CHRISTINE CHRISTINE | 144 |
BARRELS BARRELS ANY BARRELS TO SELL? | 221 |
WHICH? | 231 |
THE END OF THE GHOSTS LOVESTORY | 239 |
EPILOGUE | 248 |
COMMENTARY | 257 |
READING GROUP GUIDE | 285 |
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abject acting-manager Angel of Music arms asked ballet Box Five Carlotta charmin Chris Christine Daaé Christine's commissary cried cultural Daaé's dark daroga dear death death's head Debienne and Poligny disappeared Don Juan Triumphant door dressing-room envelope Erik Erik's eyes face Firmin Richard Gabriel Gaston Leroux gave girl Giry Gothic Gothic novels hand hear heard Jammes Joseph Buquet knew lake laugh Leroux listen little Meg looked mademoiselle Mamma Valérius managers mask Mazenderan Meg Giry Mercier Mifroid mirror Moncharmin monster mysterious never night once opened Opera ghost Paris Perros Perros-Guirec Persian phantom Punjab lasso Raoul de Chagny Rémy replied sang scene scorpion seemed seen singing Sorelli stage suddenly tell terrible thing thought told took torture-chamber trap-door turned twenty-thousand francs Vicomte de Chagny viscount voice waiting wall words young