Orpheus in the Marketplace

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Harvard University Press, 4 нояб. 2013 г. - Всего страниц: 479
The Florentine musician Jacopo Peri (1561-1633) is known as the composer of the first operas--they include the earliest to survive complete, Euridice (1600), in which Peri sang the role of Orpheus. The recent discovery of a large number of private account books belonging to him and his family allows for a greater exploration of Peri's professional and personal life. Richard Goldthwaite, an economic historian, and Tim Carter, a musicologist, have done more, however, than write a biography: their investigation exposes the value of such financial documents as a primary source for an entire period. This record of Peri's wide-ranging investments and activities in the marketplace enables the first detailed account of the Florentine economy in the late sixteenth and early seventeenth centuries, and opens a new perspective on one of Europe's principal centers of capitalism. His economic circumstances reflect continuities and transformations in Florentine society, and the strategies for negotiating them, under the Medici grand dukes. They also allow a reevaluation of Peri the singer and composer that elucidates the cultural life of a major artistic center even in changing times, providing a quite different view of what it meant to be a musician in late Renaissance Italy.
 

Содержание

Introduction
1
1 The Social World
24
2 The Economic World
122
3 The Musical World
205
4 Last Years Death and the End of the Line
311
Conclusion
347
Appendixes
375
Works Cited
443
Index
453
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Об авторе (2013)

Carter Tim : Tim Carter is David G. Frey Distinguished Professor of Music at the University of North Carolina at Chapel Hill.Goldthwaite Richard A. : Richard A. Goldthwaite is Professor Emeritus of History at Johns Hopkins University.

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