The English Prosody: With Rules Deduced from the Genius of Our Language, and the Examples of the Poets |
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Стр. 60
By citing another stanza from the same poem , both questions , perhaps , may be
answered . vỈ have sẽnt | through the wöod- 1 paths gen | tlẽ sigh , Ănd cāll'd out |
éach voice | of thě deep | blue sky , From thě night- | bird's lây through thě står ...
By citing another stanza from the same poem , both questions , perhaps , may be
answered . vỈ have sẽnt | through the wöod- 1 paths gen | tlẽ sigh , Ănd cāll'd out |
éach voice | of thě deep | blue sky , From thě night- | bird's lây through thě står ...
Стр. 115
Still gath ' | ring force , \ it smokes , | ănd urg'd | ămâin , Whirls , leaps , and thun |
děrs down , impēt ūods to thě pláin . " In this couplet also the numbers are
adapted to the subject : the first line is sheer iambic ; the second contains a
spondee ...
Still gath ' | ring force , \ it smokes , | ănd urg'd | ămâin , Whirls , leaps , and thun |
děrs down , impēt ūods to thě pláin . " In this couplet also the numbers are
adapted to the subject : the first line is sheer iambic ; the second contains a
spondee ...
Стр. 117
I go | whère thě lov'd , whð hăve left | you , dwell , And | thě flowěrs | ăre not
Death's : 1 fāre yě well , | farewell . ” The first line of this couplet is of regular
construction , containing two iambics and two anapæsts . The other line is
somewhat ...
I go | whère thě lov'd , whð hăve left | you , dwell , And | thě flowěrs | ăre not
Death's : 1 fāre yě well , | farewell . ” The first line of this couplet is of regular
construction , containing two iambics and two anapæsts . The other line is
somewhat ...
Стр. 118
Thě king I of Mör | věn strūck | his breast : hě ăssüm'd | åt önce | his spear . His
dārk | ěn'd brow | bēnds för | wård tỏ | the coast : 1 hě looks back | tỏ the lag | ging
winds . His hāir is | disorder'd | on his bāck : 1 thě silěnce of thě | king is | tērrible .
Thě king I of Mör | věn strūck | his breast : hě ăssüm'd | åt önce | his spear . His
dārk | ěn'd brow | bēnds för | wård tỏ | the coast : 1 hě looks back | tỏ the lag | ging
winds . His hāir is | disorder'd | on his bāck : 1 thě silěnce of thě | king is | tērrible .
Стр. 119
Bắt the white | foam of waves I shåll thy wind | ing sheet bē , Ånd winds , in thě
midnight I of wintěr , 1 thy dirge ! " Or thus : Ănd winds , in thě midnight of winter ,
thị dirge ! ” These lines , from a poem of the anapæstic order , are somewhat ...
Bắt the white | foam of waves I shåll thy wind | ing sheet bē , Ånd winds , in thě
midnight I of wintěr , 1 thy dirge ! " Or thus : Ănd winds , in thě midnight of winter ,
thị dirge ! ” These lines , from a poem of the anapæstic order , are somewhat ...
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The English Prosody; with Rules Deduced from the Genius of Our Language, and ... Asa Humphrey Недоступно для просмотра - 2013 |
The English Prosody: With Rules Deduced from the Genius of Our Language, and ... Asa Humphrey Недоступно для просмотра - 2019 |
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accent adapted airs amphibrachic anapæstic antient apply arranged bards cadence called CHAPTER cited common commonly composed composition connection constitute construction contains correspondence couplet dactyle described descriptive diversified emphasis English equal examples expression falls feet figures foot foregoing former four frequently genius give Greeks harmony hence iambic verse irregular kinds of feet kinds of verse language length less lyric manner marks measure metre mode movement names nature necessary needed never numbers o'er observed occasionally occur odes pause pertaining poems poetic poetry poets principles proper properly prose prosody pyrrhic quantity Questions readers reading reading verse regular Remarks require respect rhyme rise rules scansion SECT seen sense sentiment short similar simple sometimes song sounds spondee stand stanza style syllables syntax thě thee things thou tones treated trochaic trochee varied various voice wanting writers written