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acquired admirable advantage afterwards ancient appear artists attention beauty British Burke Carlo Maratti character Claude Lorrain colour complete composition considered Correggio dignity discourse distinguished Ditto drapery drawing Duke Edited hy Edmund Burke effect eminent employed endeavour England English Engravings excellence exhibition expression Farington fcap feeling figures folio genius gilt cloth gilt edges give gllt haif hound haif morocco heautifully HISTORY honour idea Illustrated hy imagination imitation improved invention Italy Jervais Johnson labour light Lord Luca Giordano Malone manner masters means ment merit Michel Angelo mind nation nature never object observed occasion opinion ornaments painter painting Paul Veronese peculiar perfection picture Plates puh Portrait puh practice principles printed produced profession Raffaelle Raphael remarks Rembrandt respect Royal Academy says Northcote simplicity Sir Joshua Reynolds society Somerset House student style talent taste thought tion Titian truth Venetian Venetian school Woodcuts
Стр. 167 - Here Reynolds is laid, and to tell you my mind, He has not left a wiser or better behind. His pencil was striking, resistless, and grand ; His manners were gentle, complying, and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart. To coxcombs averse, yet most civilly steering, When they judged without skill he was still hard of hearing : When they talked of their Raphaels, Correggios, and stuff, He shifted his trumpet and only took snuff.
Стр. 271 - His talents of every kind, powerful from nature, and not meanly cultivated by letters, his social virtues in all the relations, and all the habitudes of life, rendered him the centre of a very great and unparalleled variety of agreeable societies, which will be dissipated by his death. He had too much merit not to excite some jealousy, too much innocence to provoke any enmity. The loss of no man of his time can be felt with more sincere, general, and unmixed sorrow. "Hail! and farewell...
Стр. 334 - There is no excellent Beauty that hath not some strangeness in the proportion. A man cannot tell, whether Apelles or Albert Durer were the more trifler; whereof the one would make a personage by geometrical proportions, the other by taking the best parts out of divers faces to make one Excellent.
Стр. 331 - who takes for his model such forms as nature produces, and confines himself to an exact imitation of them, will never attain to what is perfectly beautiful. For the works of nature are full of disproportion, and fall very short of the true standard of beauty. So that Phidias, when he formed his Jupiter, did not copy any object ever presented to his sight; but contemplated only that image which he had conceived in his mind from Homer's description.
Стр. 308 - I would chiefly recommend that an implicit obedience to the rules of art, as established by the practice of the great masters, should be exacted from the young students. That those models, which have passed through the approbation of ages, should be considered by them as perfect and infallible guides; as subjects for their imitation, not their criticism.
Стр. 68 - ... surface, but lies deep, and at the first view is seen but mistily. " It is the florid style which strikes at once, and captivates the eye for a time, without ever satisfying the judgment.
Стр. 40 - It is indisputably evident that a great part of every man's life, must be employed in collecting materials for the •exercise of genius. Invention, strictly speaking, is little more than a new combination of those images which have been previously gathered and deposited in the memory: nothing can come of nothing : he who has laid up no materials can produce no combinations.
Стр. 181 - The King has lately been pleased to make me Professor of Ancient History in a Royal Academy of Painting, which he has just established, but there is no salary annexed; and I took it rather as a compliment to the institution than any benefit to myself. Honours to one in my situation are something like ruffles to a man that wants a shirt.
Стр. 16 - Essays : on Decision of Character ; on a Man's writing Memoirs of Himself ; on the epithet Romantic ; on the aversion of Men of Taste to Evangelical Religion, y.