The Actor's Freedom: Toward a Theory of DramaViking Press, 1975 - Всего страниц: 180 The author draws on maenadism, shamanism, pagan and Christian religious traditions plus psychology and psychiatry to demonstrate how much more acting means than mere imitation. |
Результаты поиска по книге
Результаты 1 – 3 из 24
Стр. 66
... tragedy , " as Brecht claimed to fear - how interesting it would be if such a modern tragedy were possible ! But if the vignettes from life in the Thirty Years ' War were not presented with the isolation and selection Brecht imposes ...
... tragedy , " as Brecht claimed to fear - how interesting it would be if such a modern tragedy were possible ! But if the vignettes from life in the Thirty Years ' War were not presented with the isolation and selection Brecht imposes ...
Стр. 170
... tragedy along these lines , see Howard Baker , Induction to Tragedy ( Baton Rouge , 1939 ) . 100. " Machiavellian virtù . ” See Irving Ribner , " The Idea of History in Tamburlaine , " ELH , XX ( 1954 ) , 257-58 ; also Harry Levin , The ...
... tragedy along these lines , see Howard Baker , Induction to Tragedy ( Baton Rouge , 1939 ) . 100. " Machiavellian virtù . ” See Irving Ribner , " The Idea of History in Tamburlaine , " ELH , XX ( 1954 ) , 257-58 ; also Harry Levin , The ...
Стр. 176
... tragedy , 59–61 ; in Greek tragedy , 56–58 , 124– 125 ; as haunted and haunter , 40-41 , 153-56 ; as hunter and victim , 13-22 , 51 , 57 , 59 ; in Ibsen , 61-63 , 70-71 , 106–107 ; and plot , 15-16 , 95–100 , 132-33 ; as revenger , 28 ...
... tragedy , 59–61 ; in Greek tragedy , 56–58 , 124– 125 ; as haunted and haunter , 40-41 , 153-56 ; as hunter and victim , 13-22 , 51 , 57 , 59 ; in Ibsen , 61-63 , 70-71 , 106–107 ; and plot , 15-16 , 95–100 , 132-33 ; as revenger , 28 ...
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
achievement acting action actor actor and audience actor-as-character actor's art aggression appearance appetite Aristotle audience's awareness become body Brecht Brechtian ceremony character Chekhov Cleopatra comedy comic course dangerous dead death define described dialogue Dionysus disguise drama dramatic hero dumbshow effect ego-universe Elizabethan emotions energy example exciting experience expression Falstaff fear feel freedom Garrick gesture ghosts hamartia Hamlet haunting histrionic human Ibsen's identification identity imagine imitation impersonation impulse Jacques Roux Jean-Louis Barrault kind maenads Marat/Sade mask means mimesis mind notion O. B. Hardison Oedipus on-stage ordinary Orokolo Othello Pentheus performance perhaps Piaget play play-acting play's playwright plot present primitive protection realism reality relation René Spitz response revenge risk ritual role sacred scene Schechner script seems self-definition sense Shakespeare simply speech spirit stage style suggest symbols T. S. Eliot Tamburlaine terrific theater theatrical theory things threatening thrust tion tragedy uncanny victim word