The Actor's Freedom: Toward a Theory of DramaViking Press, 1975 - Всего страниц: 180 The author draws on maenadism, shamanism, pagan and Christian religious traditions plus psychology and psychiatry to demonstrate how much more acting means than mere imitation. |
Результаты поиска по книге
Результаты 1 – 3 из 55
Стр.
... performance theory , " and defined " theater " to mean any occasion of performance . I use " theater " in the more restricted sense partly for convenience , of course , but I do insist on the difference between the theater of acting and ...
... performance theory , " and defined " theater " to mean any occasion of performance . I use " theater " in the more restricted sense partly for convenience , of course , but I do insist on the difference between the theater of acting and ...
Стр. 71
... performance belongs to a particular actor , the possibility for performance is Chekhov's , and it is as much a part of the play's design as the setting or the plot . In Chekhov there is a tension between the setting and the situation ...
... performance belongs to a particular actor , the possibility for performance is Chekhov's , and it is as much a part of the play's design as the setting or the plot . In Chekhov there is a tension between the setting and the situation ...
Стр. 118
... performance . A few additional observations on the appetite for theater . The transformation of eating into feasting and sex into love may be considered among the founding spiritual achievements of civilization . They are surely among ...
... performance . A few additional observations on the appetite for theater . The transformation of eating into feasting and sex into love may be considered among the founding spiritual achievements of civilization . They are surely among ...
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
achievement acting action actor actor and audience actor-as-character actor's art aggression appearance appetite Aristotle audience's awareness become body Brecht Brechtian ceremony character Chekhov Cleopatra comedy comic course dangerous dead death define described dialogue Dionysus disguise drama dramatic hero dumbshow effect ego-universe Elizabethan emotions energy example exciting experience expression Falstaff fear feel freedom Garrick gesture ghosts hamartia Hamlet haunting histrionic human Ibsen's identification identity imagine imitation impersonation impulse Jacques Roux Jean-Louis Barrault kind maenads Marat/Sade mask means mimesis mind notion O. B. Hardison Oedipus on-stage ordinary Orokolo Othello Pentheus performance perhaps Piaget play play-acting play's playwright plot present primitive protection realism reality relation René Spitz response revenge risk ritual role sacred scene Schechner script seems self-definition sense Shakespeare simply speech spirit stage style suggest symbols T. S. Eliot Tamburlaine terrific theater theatrical theory things threatening thrust tion tragedy uncanny victim word