The Actor's Freedom: Toward a Theory of DramaViking Press, 1975 - Всего страниц: 180 The author draws on maenadism, shamanism, pagan and Christian religious traditions plus psychology and psychiatry to demonstrate how much more acting means than mere imitation. |
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Стр. 18
... limits according to a moral prescription - to say only these attributes should be admitted because others are bad ... limit his awareness of possible responses . He does not acknowledge , for example , the extent to which " bad ...
... limits according to a moral prescription - to say only these attributes should be admitted because others are bad ... limit his awareness of possible responses . He does not acknowledge , for example , the extent to which " bad ...
Стр. 27
... limits corresponds to something at work inside us . * Drama probably began with ghosts , with prehistoric impersonations intended to transfigure the malice of spirits to indulge , placate , or wrestle with the dead , to turn Furies into ...
... limits corresponds to something at work inside us . * Drama probably began with ghosts , with prehistoric impersonations intended to transfigure the malice of spirits to indulge , placate , or wrestle with the dead , to turn Furies into ...
Стр. 160
... limits of self . And we find this selfhood not in symbols , not in memory , and not alone , but in the flesh , in society , here and now . The special charge of significance that space and time take on in the theater is a natural ...
... limits of self . And we find this selfhood not in symbols , not in memory , and not alone , but in the flesh , in society , here and now . The special charge of significance that space and time take on in the theater is a natural ...
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