The Actor's Freedom: Toward a Theory of DramaViking Press, 1975 - Всего страниц: 180 The author draws on maenadism, shamanism, pagan and Christian religious traditions plus psychology and psychiatry to demonstrate how much more acting means than mere imitation. |
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Стр. 9
... kind of creature can shift identities at will ? 3. Beyond this , there is a kind of uncanniness about acting , akin to the uncanniness of the mask - a mingling of the animate and the inanimate , a projection of human energy beyond ...
... kind of creature can shift identities at will ? 3. Beyond this , there is a kind of uncanniness about acting , akin to the uncanniness of the mask - a mingling of the animate and the inanimate , a projection of human energy beyond ...
Стр. 103
... kind or another had always existed , of course , but it is no accident that the idea of an emotional movement ... kind of performance also requires a mask , a becoming - other , since the expression of self the actor seeks , even when he ...
... kind or another had always existed , of course , but it is no accident that the idea of an emotional movement ... kind of performance also requires a mask , a becoming - other , since the expression of self the actor seeks , even when he ...
Стр. 147
... kind of poise , some kind of wholeness of being . Too often , both in discussing the content of these speeches and in perform- ing them , we lose sight of either the stresses they should play against or the integration they attempt ...
... kind of poise , some kind of wholeness of being . Too often , both in discussing the content of these speeches and in perform- ing them , we lose sight of either the stresses they should play against or the integration they attempt ...
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