The Actor's Freedom: Toward a Theory of DramaViking Press, 1975 - Всего страниц: 180 The author draws on maenadism, shamanism, pagan and Christian religious traditions plus psychology and psychiatry to demonstrate how much more acting means than mere imitation. |
Результаты поиска по книге
Результаты 1 – 3 из 29
Стр. 57
... human limit , his godlike ( though not godly ) sway over life ( but not death ) . He is described as a great hunter and conqueror in the ode's opening stanza , as a victim and outcast in the last . The Greek chorus's habitual ...
... human limit , his godlike ( though not godly ) sway over life ( but not death ) . He is described as a great hunter and conqueror in the ode's opening stanza , as a victim and outcast in the last . The Greek chorus's habitual ...
Стр. 106
... human achievement quite as real as any action in the great world is likely to be , and realer than most . We find it hard today to imagine heroic occupations , that is , occupations which can be filled with the haunting presence of a ...
... human achievement quite as real as any action in the great world is likely to be , and realer than most . We find it hard today to imagine heroic occupations , that is , occupations which can be filled with the haunting presence of a ...
Стр. 118
... human culture . They make consciousness endurable and palatable , they convince the imagination that society has a " life . " They are quasi - theatrical achievements , pro- ceeding by role playing , spectacle , performance , plot . Man ...
... human culture . They make consciousness endurable and palatable , they convince the imagination that society has a " life . " They are quasi - theatrical achievements , pro- ceeding by role playing , spectacle , performance , plot . Man ...
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
achievement acting action actor actor and audience actor-as-character actor's art aggression appearance appetite Aristotle audience's awareness become body Brecht Brechtian ceremony character Chekhov Cleopatra comedy comic course dangerous dead death define described dialogue Dionysus disguise drama dramatic hero dumbshow effect ego-universe Elizabethan emotions energy example exciting experience expression Falstaff fear feel freedom Garrick gesture ghosts hamartia Hamlet haunting histrionic human Ibsen's identification identity imagine imitation impersonation impulse Jacques Roux Jean-Louis Barrault kind maenads Marat/Sade mask means mimesis mind notion O. B. Hardison Oedipus on-stage ordinary Orokolo Othello Pentheus performance perhaps Piaget play play-acting play's playwright plot present primitive protection realism reality relation René Spitz response revenge risk ritual role sacred scene Schechner script seems self-definition sense Shakespeare simply speech spirit stage style suggest symbols T. S. Eliot Tamburlaine terrific theater theatrical theory things threatening thrust tion tragedy uncanny victim word