The Actor's Freedom: Toward a Theory of DramaViking Press, 1975 - Всего страниц: 180 The author draws on maenadism, shamanism, pagan and Christian religious traditions plus psychology and psychiatry to demonstrate how much more acting means than mere imitation. |
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Стр. 58
... Elizabethan hero , like the Elizabethan actor , lived ( and died ) by the freedom to make a place for himself , a freedom that excited and appalled his age . The heroic role of Elizabethan drama typically allows the actor to appear as a ...
... Elizabethan hero , like the Elizabethan actor , lived ( and died ) by the freedom to make a place for himself , a freedom that excited and appalled his age . The heroic role of Elizabethan drama typically allows the actor to appear as a ...
Стр. 167
... Elizabethan Drama- tists , " in Selected Essays , 3d ed . , p . 111. Checking the dates , I see that Eliot was thirty - five at the time the essay appeared . Whether this is young , I am not prepared to argue ; Eliot's remarks ...
... Elizabethan Drama- tists , " in Selected Essays , 3d ed . , p . 111. Checking the dates , I see that Eliot was thirty - five at the time the essay appeared . Whether this is young , I am not prepared to argue ; Eliot's remarks ...
Стр. 175
... Elizabethan , 28 , 35 , 44 , 58-59 , 95-100 , 114 , 115 , 127 , 141 , 167 , 170 ; and literary criticism , 4-5 , 17 , 29- 35 , 163 ; and Mass , 24-26 , 166 ; medieval , 24-26 , 35 , 43-46 , 77– 81 , 166 ; primitive , 9 , 35–36 , 37 , 41 ...
... Elizabethan , 28 , 35 , 44 , 58-59 , 95-100 , 114 , 115 , 127 , 141 , 167 , 170 ; and literary criticism , 4-5 , 17 , 29- 35 , 163 ; and Mass , 24-26 , 166 ; medieval , 24-26 , 35 , 43-46 , 77– 81 , 166 ; primitive , 9 , 35–36 , 37 , 41 ...
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achievement acting action actor actor and audience actor-as-character actor's art aggression appearance appetite Aristotle audience's awareness become body Brecht Brechtian ceremony character Chekhov Cleopatra comedy comic course dangerous dead death define described dialogue Dionysus disguise drama dramatic hero dumbshow effect ego-universe Elizabethan emotions energy example exciting experience expression Falstaff fear feel freedom Garrick gesture ghosts hamartia Hamlet haunting histrionic human Ibsen's identification identity imagine imitation impersonation impulse Jacques Roux Jean-Louis Barrault kind maenads Marat/Sade mask means mimesis mind notion O. B. Hardison Oedipus on-stage ordinary Orokolo Othello Pentheus performance perhaps Piaget play play-acting play's playwright plot present primitive protection realism reality relation René Spitz response revenge risk ritual role sacred scene Schechner script seems self-definition sense Shakespeare simply speech spirit stage style suggest symbols T. S. Eliot Tamburlaine terrific theater theatrical theory things threatening thrust tion tragedy uncanny victim word