Making Shakespeare: From Stage to PagePsychology Press, 2004 - Всего страниц: 188 Making Shakespeare is a lively introduction to the major issues of the stage and print history, whilst also raising questions about what a Shakespeare play actually is. Tiffany Stern reveals how London, the theatre, the actors and the way in which the plays were written and printed all affect the 'Shakespeare' that we now read. Concentrating on the instability and fluidity of Shakespeare's texts, her book discusses what happened to a manuscript between its first composition, its performance on stage and its printing, and identifies traces of the production system in the plays we read. She argues that the versions of Shakespeare that have come down to us have inevitably been formed by the contexts from which they emerged; being shaped by, for example, the way actors received and responded to their lines, the props and music used in the theatre, or the continual revision of plays by the playhouses and printers. Allowing a fuller understanding of the texts we read and perform, Making Shakespeare is the perfect introduction to issues of stage and page. A refreshingly clear, accessible read, this book will allow even those with no expert knowledge to begin to contextualize Shakespeare's plays for themselves, in ways both old and new. |
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... Performance and Plays 62 5 Props , Music and Stage Directions 91 6 Prologues , Songs and Actors ' Parts 113 7 From Stage to Printing House 137 8 Epilogue 159 Notes 162 Bibliography and further reading Index 173 183 Illustrations 2.1 ...
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Text Playhouse and London | 7 |
Additions Emendations and Revisions | 34 |
Rehearsal Performance and Plays | 62 |
Props Music and Stage Directions | 91 |
Prologues Songs and Actors Parts | 113 |
From Stage to Printing House | 137 |
Epilogue | 159 |
173 | |