HamletPenguin UK, 7 апр. 2005 г. - Всего страниц: 400 'The Mona Lisa of literature' T. S. Eliot |
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... Lord Chamberlain's Men, a company to which Shakespeare was to belong for the rest of his career, as actor, shareholder and playwright. No other dramatist of the period had so stable a relationship with a single company. Shakespeare knew ...
... Lord Chamberlain's Men, a company to which Shakespeare was to belong for the rest of his career, as actor, shareholder and playwright. No other dramatist of the period had so stable a relationship with a single company. Shakespeare knew ...
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... Lord Hamlet?' inquires Polonius, the chief minister (II.2.171). 'How does your honour for this many a day?' asks Ophelia, Polonius's daughter (III.1.91). Hamlet's behaviour is indeed somewhat eccentric. He moons around in black talking ...
... Lord Hamlet?' inquires Polonius, the chief minister (II.2.171). 'How does your honour for this many a day?' asks Ophelia, Polonius's daughter (III.1.91). Hamlet's behaviour is indeed somewhat eccentric. He moons around in black talking ...
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... Lord. Therefore if thine enemy hunger, feed him: if he thirst, give him drink. For in so doing thou shalt heap coals of fire on his head' (Romans 12:19–20 (Bishops' Bible, 1568, etc.)). The individual Christian, therefore, is not to ...
... Lord. Therefore if thine enemy hunger, feed him: if he thirst, give him drink. For in so doing thou shalt heap coals of fire on his head' (Romans 12:19–20 (Bishops' Bible, 1568, etc.)). The individual Christian, therefore, is not to ...
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... lord', the others call him) is more important in the identity of Hamlet than being melancholy and misogynist – though he shows signs of both. Anyway, melancholy and misogyny are familiar stances for the malcontent at court, and not ...
... lord', the others call him) is more important in the identity of Hamlet than being melancholy and misogynist – though he shows signs of both. Anyway, melancholy and misogyny are familiar stances for the malcontent at court, and not ...
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... lord, he hath importuned me with love In honourable fashion. POLONIUS Ay, 'fashion' you may call it. Go to, go to. OPHELIA And hath given countenance to his speech, my lord, With almost all the holy vows of heaven. POLONIUS Ay, springes ...
... lord, he hath importuned me with love In honourable fashion. POLONIUS Ay, 'fashion' you may call it. Go to, go to. OPHELIA And hath given countenance to his speech, my lord, With almost all the holy vows of heaven. POLONIUS Ay, springes ...
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action actor audience BARNARDO behaviour blood character Christian Claudius Claudius’s Danish dead dear Denmark doth e’en Elizabethan England Enter Hamlet Enter the King Exeunt Exit eyes F reads father fear Fortinbras friends gentleman Gertrude Ghost give God’s hast hath hear heart heaven honour in’t is’t Jephthah judgement Julius Caesar killed King and Queen King Claudius King Hamlet King of Denmark King’s Laertes Laertes’s look madness MARCELLUS marriage means misogyny mother murder nature night Norway o’er Ophelia OSRICK Paul Prescott performance perhaps phrase play play’s PLAYER poison Pollax Polonius Polonius’s pray Presumably Prince Prince Hamlet probably Pyrrhus Q2 and F Q2 reads Quarto rapiers revenge REYNALDO Richard II Rosencrantz and Guildenstern scene SECOND CLOWN seems sense Shakespeare soliloquy soul speak speech sweet sword tell theatre thee There’s thou thoughts tragedy Trumpets Voltemand what’s word