HamletPenguin UK, 7 апр. 2005 г. - Всего страниц: 400 'The Mona Lisa of literature' T. S. Eliot |
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... feeling. Towards the end of his career, in plays such as The Winter's Tale, Cymbeline and The Tempest, he adopts a more highly mannered style, in keeping with the more overtly symbolical and emblematical mode in which he is writing. So ...
... feeling. Towards the end of his career, in plays such as The Winter's Tale, Cymbeline and The Tempest, he adopts a more highly mannered style, in keeping with the more overtly symbolical and emblematical mode in which he is writing. So ...
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... feels himself distracted, | But from what cause 'a will by no means speak' (III.1.5–6). Hamlet is irritated by the presumption of Guildenstern, who won't play the recorder because he has no expertise but supposes he can fathom the ...
... feels himself distracted, | But from what cause 'a will by no means speak' (III.1.5–6). Hamlet is irritated by the presumption of Guildenstern, who won't play the recorder because he has no expertise but supposes he can fathom the ...
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... feeling for the old rites. Shakespeare's father, John, was a grown man by 1563, when the Thirty-nine Articles of the Church of England confirmed Protestantism as the official state religion and declared that purgatory was a pernicious ...
... feeling for the old rites. Shakespeare's father, John, was a grown man by 1563, when the Thirty-nine Articles of the Church of England confirmed Protestantism as the official state religion and declared that purgatory was a pernicious ...
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... feelings between them. Perhaps Hamlet loves Horatio, but their relationship can hardly bloom when Horatio must observe such deference that he can speak only in response to Hamlet's approaches. The traditional character questions – why ...
... feelings between them. Perhaps Hamlet loves Horatio, but their relationship can hardly bloom when Horatio must observe such deference that he can speak only in response to Hamlet's approaches. The traditional character questions – why ...
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... feelings; he was just trying to be practical about the Prince: 'For on his choice depends | The safety and health of this whole state' (I.3.20–21). Her father, however, systematically disconfirms Ophelia's perceptions; no wonder she ...
... feelings; he was just trying to be practical about the Prince: 'For on his choice depends | The safety and health of this whole state' (I.3.20–21). Her father, however, systematically disconfirms Ophelia's perceptions; no wonder she ...
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Часто встречающиеся слова и выражения
action actor audience BARNARDO behaviour blood character Christian Claudius Claudius’s Danish dead dear Denmark doth e’en Elizabethan England Enter Hamlet Enter the King Exeunt Exit eyes F reads father fear Fortinbras friends gentleman Gertrude Ghost give God’s hast hath hear heart heaven honour in’t is’t Jephthah judgement Julius Caesar killed King and Queen King Claudius King Hamlet King of Denmark King’s Laertes Laertes’s look madness MARCELLUS marriage means misogyny mother murder nature night Norway o’er Ophelia OSRICK Paul Prescott performance perhaps phrase play play’s PLAYER poison Pollax Polonius Polonius’s pray Presumably Prince Prince Hamlet probably Pyrrhus Q2 and F Q2 reads Quarto rapiers revenge REYNALDO Richard II Rosencrantz and Guildenstern scene SECOND CLOWN seems sense Shakespeare soliloquy soul speak speech sweet sword tell theatre thee There’s thou thoughts tragedy Trumpets Voltemand what’s word