Antony and CleopatraPenguin UK, 7 апр. 2005 г. - Всего страниц: 336 'Shakespeare's play is death-haunted from the start, and its self-glorifying lovers exist in a dream of passion' Guardian |
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... Antony and Cleopatra where the lovers' transvestite playing is interpreted, by the Romans if not the dramatist, as exotic ... Antony's loss of selfhood, but Charmian's guileless setting him right may intimate that not everybody shares the.
... Antony after the disastrous battle of Actium his sexless presence reminds Antony of his own loss of manhood. 'O, thy ... Antony's loyal soldiers reminds him that the Romans have traditionally won their battles standing on the earth, the ...
... Antony in the last act of the play? In the words of one of the most incisive writers on Antony and Cleopatra, 'Like Isis, Cleopatra finds and restores, memorializes and consecrates Antony's male identity: in the womblike receptive space ...
... Antony and Cleopatra the stage empties no fewer than forty-two times, more than in any other Shakespearian play. The complete absence of scenic divisions in the Folio ... Antony's soldiers interprets it as, ''Tis the god Hercules, whom.
... Antony with Hercules underlines Antony's sexual servitude, and moral opprobrium at first also seems to underpin a complementary story, that of Mars and Venus. Their legendary adultery is related with some gusto by Ovid in Metamorphoses ...