Screening the Novel: The Theory and Practice of Literary DramatizationMacmillan, 1990 - Всего страниц: 174 The book takes as its theme the relationship between literature and the contemporary means of production and distribution collectively termed 'the media' - in particular, film and television. The intention of the book is to explore and evaluate the mutual opportunities and restrictions in this relationship. In the grammar of our culture there seems to be an accepted opinion that print is superior in terms of cultural production to film, radio or television, that to read a book is somehow a 'higher' cultural activity than seeing a play on television or seeing a film. By the same token, a novel is a 'superior' work of art to film or television. The longer perspective reveals that traditionally there always is a greater respect paid to the previous mode of literary production - poetry was superior to drama, poetic drama was superior to the novel, and film attained cult and classic status initially over television. |
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Стр. 19
... mind - her charm , her passion , her despair . All the emphasis is laid by the cinema upon her teeth , her pearls , and her velvet.65 George Bluestone has written that ' literary characters are insep- arable from the language which ...
... mind - her charm , her passion , her despair . All the emphasis is laid by the cinema upon her teeth , her pearls , and her velvet.65 George Bluestone has written that ' literary characters are insep- arable from the language which ...
Стр. 98
... mind ? Does she rather artificially write her thoughts in a diary or letter ? Or in his search for a psychological realism does he make use of voice - over or soliloquy ? As Becky rehearses the problems in her own mind , the extent of ...
... mind ? Does she rather artificially write her thoughts in a diary or letter ? Or in his search for a psychological realism does he make use of voice - over or soliloquy ? As Becky rehearses the problems in her own mind , the extent of ...
Стр. 108
... mind as to where the thoughts and ideas of what Thackeray was trying to do go . Then I think it is quite important to leave the book alone . Alexander Baron delivered the 16 scripts , but with the best will in the world in 8 hours of ...
... mind as to where the thoughts and ideas of what Thackeray was trying to do go . Then I think it is quite important to leave the book alone . Alexander Baron delivered the 16 scripts , but with the best will in the world in 8 hours of ...
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ix | 26 |
The Classic Serial Tradition | 45 |
Great Expectations | 54 |
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Screening The Novel: The Theory And Practice Of Literary Dramatization Keith Selby,Robert Giddings,Chris Wensley Ограниченный просмотр - 2016 |
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achieve actually adaptation Amelia audience BBC TV BBC-1 Classic Serial Becky Sharp Beja Biddy broadcast camera characters Chris Wensley cinema classic novels Classic Serial Clive Bloom costume designer cultural David Lean's Diarmuid Lawrence Dickens Dickens's novels Dickensian director Dobbin dramatization editing episodes Estella Eve Matheson example Expectations fact FAIR VANITY FAIR fiction Film and Literature film and television film version film-makers George Bluestone going historical Jaggers Jane Austen Jonathan Miller literary Little Dorrit locations London look Magwitch Michael mind Miss Havisham narrative narrator never Novel into Film Oliver Twist original Orlick passage past Pip's play present problems production team programme prose reader Rebecca relationship role Satis House scene screen script editor Sedley sense slot story studio style tell Terrance Dicks Thackeray Thackeray's things Vanity Fair VANITY FAIR VANITY viewers visual write