Screening the Novel: The Theory and Practice of Literary DramatizationMacmillan, 1990 - Всего страниц: 174 The book takes as its theme the relationship between literature and the contemporary means of production and distribution collectively termed 'the media' - in particular, film and television. The intention of the book is to explore and evaluate the mutual opportunities and restrictions in this relationship. In the grammar of our culture there seems to be an accepted opinion that print is superior in terms of cultural production to film, radio or television, that to read a book is somehow a 'higher' cultural activity than seeing a play on television or seeing a film. By the same token, a novel is a 'superior' work of art to film or television. The longer perspective reveals that traditionally there always is a greater respect paid to the previous mode of literary production - poetry was superior to drama, poetic drama was superior to the novel, and film attained cult and classic status initially over television. |
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Стр. xi
... means for the distribution and consumption of culture so distort our perceptions of the past . In 1983 Donald Pleasance gave a much- praised performance in a television play in the role of our great national hero , Dr Samuel Johnson ...
... means for the distribution and consumption of culture so distort our perceptions of the past . In 1983 Donald Pleasance gave a much- praised performance in a television play in the role of our great national hero , Dr Samuel Johnson ...
Стр. 128
... means the building of sets , the search for properties , the selection of locations , the dressing locations , almost everything that happens behind the heads of the people on the screen is my major responsibility . And I am responsible ...
... means the building of sets , the search for properties , the selection of locations , the dressing locations , almost everything that happens behind the heads of the people on the screen is my major responsibility . And I am responsible ...
Стр. 153
... means it's slightly more stagecraft in that they do get a beginning , a middle and an end to a scene and they can ... mean I'm not saying that we do it all in one , we go 9–10 takes maybe on a scene . And I do drop in the odd stuff and I ...
... means it's slightly more stagecraft in that they do get a beginning , a middle and an end to a scene and they can ... mean I'm not saying that we do it all in one , we go 9–10 takes maybe on a scene . And I do drop in the odd stuff and I ...
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ix | 26 |
The Classic Serial Tradition | 45 |
Great Expectations | 54 |
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Screening The Novel: The Theory And Practice Of Literary Dramatization Keith Selby,Robert Giddings,Chris Wensley Ограниченный просмотр - 2016 |
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