Ken Russell's FilmsScarecrow Press, 1984 - Всего страниц: 460 To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com. |
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Стр. 139
... structure utilized in The Devils significantly never reappears in Russell's work . Even the relatively ... structures than The Devils . This is one of the as- pects that so clearly marks the film as being as much formative as formed ...
... structure utilized in The Devils significantly never reappears in Russell's work . Even the relatively ... structures than The Devils . This is one of the as- pects that so clearly marks the film as being as much formative as formed ...
Стр. 255
... structure is less radical than Lisztomania or Mahler . ( This second comparison is slightly deceptive in the case of Lisztomania since it actually moves in a stylistic - thematic straight line ; it just appears not to because it follows ...
... structure is less radical than Lisztomania or Mahler . ( This second comparison is slightly deceptive in the case of Lisztomania since it actually moves in a stylistic - thematic straight line ; it just appears not to because it follows ...
Стр. 382
... structure of the overall film makes Rime of the Ancient Mariner as much like a musical composition as anything else . Not unlike the idea of a theme and variations compositional structure , Russell adds another layer of complexity to ...
... structure of the overall film makes Rime of the Ancient Mariner as much like a musical composition as anything else . Not unlike the idea of a theme and variations compositional structure , Russell adds another layer of complexity to ...
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Часто встречающиеся слова и выражения
Alma Alma's Altered approach artist attempt attitude audience become Billion Dollar Brain Boy Friend camera character Chiluvsky Citizen Kane climax close-shot Coleridge Coleridge's Corky Courtesy of Ken Crich dance death Delius DeThrill Devils dialogue dream earlier effect fact fantasy feeling filmmaker final finds flashback framing story Gerald Glory films Gomez Grandier Gudrun Gustav Henri idea Isadora Jeanne's Ken Russell Liszt Lisztomania look Loudun Madama Butterfly Madame von Meck Mahler manner move Music Lovers narrative nature Nina Nina's Nora Nora's Oliver Reed opera overall play poem Polly presentation reality Rupert Russell film Russell's Sara Savage Messiah scene screenplay sell's sense sequence Shirley Russell shot Sister Jeanne situation Sophie sound soundtrack stage structure symbolic Symphony Tchaikovsky tells theatrical thematic theme things tion Tommy Tommy's Ursula Valentino viewer visual Wagner William and Dorothy Women in Love Wordsworth zooms