Ken Russell's FilmsScarecrow Press, 1984 - Всего страниц: 460 To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com. |
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Результаты 1 – 3 из 35
Стр. 35
... any rate Russell's con- cerns in the two are too different to allow for direct compari- son . Much as in the Isadora Duncan film Russell has the advantage of working with someone who actually knew the sub- Training Ground 35.
... any rate Russell's con- cerns in the two are too different to allow for direct compari- son . Much as in the Isadora Duncan film Russell has the advantage of working with someone who actually knew the sub- Training Ground 35.
Стр. 120
... direct relevance with its time frame . Russell's approach to the material is designed for the audience of 1970 -- an audience so jaded by constant overexposure to the horrors around them via the evening news that they have to be jolted ...
... direct relevance with its time frame . Russell's approach to the material is designed for the audience of 1970 -- an audience so jaded by constant overexposure to the horrors around them via the evening news that they have to be jolted ...
Стр. 235
... direct reversal of the stylized sound principles de- veloped by Rouben Mamoulian in Love Me Tonight , where the sound of a vase crashing becomes an explosion , Russell in- creases the impact by placing three full seconds of silence on ...
... direct reversal of the stylized sound principles de- veloped by Rouben Mamoulian in Love Me Tonight , where the sound of a vase crashing becomes an explosion , Russell in- creases the impact by placing three full seconds of silence on ...
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Часто встречающиеся слова и выражения
Alma Alma's Altered approach artist attempt attitude audience become Billion Dollar Brain Boy Friend camera character Chiluvsky Citizen Kane climax close-shot Coleridge Coleridge's Corky Courtesy of Ken Crich dance death Delius DeThrill Devils dialogue dream earlier effect fact fantasy feeling filmmaker final finds flashback framing story Gerald Glory films Gomez Grandier Gudrun Gustav Henri idea Isadora Jeanne's Ken Russell Liszt Lisztomania look Loudun Madama Butterfly Madame von Meck Mahler manner move Music Lovers narrative nature Nina Nina's Nora Nora's Oliver Reed opera overall play poem Polly presentation reality Rupert Russell film Russell's Sara Savage Messiah scene screenplay sell's sense sequence Shirley Russell shot Sister Jeanne situation Sophie sound soundtrack stage structure symbolic Symphony Tchaikovsky tells theatrical thematic theme things tion Tommy Tommy's Ursula Valentino viewer visual Wagner William and Dorothy Women in Love Wordsworth zooms